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Chair, 1904 (stained sycamore, glass)
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Chair, 1904 (stained sycamore, glass)
7443864 Chair, 1904 (stained sycamore, glass) by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: E.2002.4
FURNITURE
chair
Mackintosh, Charles Rennie; Martin, Mr Alex
Scotland, Glasgow, Nitshill, Hous'hill (place of use)
1904
stained sycamore, glass
overall: 765 mm x 584 mm x 554 mm
Chair for the Music Room of Hous'hill, Nitshill. Stained sycamore with glass inset and modern upholstered drop in seat. Designed by Charles Rennie Mackintosh in 1904 for Miss Catherine Cranston. Made by Alex Martin 1904.); © CSG CIC Glasgow Museums Collection
Media ID 33098358
© © CSG CIC Glasgow Museums Collection / Bridgeman Images
Mackintosh Charles Rennie 1868 1928
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EDITORS COMMENTS
This print showcases the exquisite "Chair, 1904" designed by the renowned architect and artist Charles Rennie Mackintosh. Crafted from stained sycamore and adorned with a delicate glass inset, this chair is a true masterpiece of art nouveau design. Originally created for the Music Room of Hous'hill in Nitshill, Scotland, this chair reflects Mackintosh's signature style characterized by clean lines and elegant simplicity. The modern upholstered drop-in seat adds comfort to its striking aesthetic appeal. The attention to detail in this piece is remarkable, as seen in the meticulous craftsmanship executed by Alex Martin in 1904. Every curve and angle has been carefully considered to create a harmonious balance between form and function. With its overall dimensions measuring at 765 mm x 584 mm x 554 mm, this chair commands attention within any space it occupies. Its presence evokes a sense of sophistication and refinement that transcends time. As part of the Glasgow Museums Collection, this photograph captures not only the physical beauty of Mackintosh's creation but also pays homage to his significant contribution to Scottish architecture and design during the early 20th century. Di Dosmo skillfully captures every intricate detail through her lens, allowing viewers to appreciate both the artistic value of this chair as well as its historical significance within European decorative arts.
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