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Le Sanguin, 1780 (hand-coloured engraving, highlited in gold and silver)
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Le Sanguin, 1780 (hand-coloured engraving, highlited in gold and silver)
985787 Le Sanguin, 1780 (hand-coloured engraving, highlited in gold and silver) by Martinet, Francois Nicolas (1731-1800); Private Collection; (add.info.: Le Sanguin. Plate 46 from the book Histoire Naturelle des Dorades de la Chine... by Louis Edme Billardon de Sauvigny. Francois Nicholas Martinet (1731-c.1796) after an 18th century Chinese illustration. Hand-coloured engraving, highlited in gold and silver. Published in 1780.); Photo eChristies Images; French, out of copyright
Media ID 23676090
© Christie's Images / Bridgeman Images
1780 1780s Asian Art Asian Painting Chinese Painting Chinese School Fishes Francois Nicolas Martinet Goldfish Hand Colored Hand Coloring Hand Coloured Hand Colouring Hand Tinted Handcolored Late 18th Century Late Eighteenth Century Martinet Martinet Francois Nicolas Named Writer One Animal Plate Prints Artist French French Art French Artist Handcoloured
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This print showcases "Le Sanguin, 1780" a hand-coloured engraving highlighted in gold and silver by the talented artist Francois Nicolas Martinet. The artwork is part of a private collection and holds immense historical significance. Originally published as Plate 46 in the book "Histoire Naturelle des Dorades de la Chine. . " by Louis Edme Billardon de Sauvigny, this piece beautifully captures an 18th-century Chinese illustration. Martinet's meticulous attention to detail is evident through his masterful use of hand colouring, which adds depth and vibrancy to the image. The focal point of the artwork is a mesmerizing goldfish swimming gracefully amidst its aquatic surroundings. The close-up perspective allows viewers to appreciate every intricate brushstroke and delicate shading that brings this creature to life. This exquisite portrayal exemplifies both French artistry and Asian influences prevalent during this period. The enchanting allure of "Le Sanguin" lies not only in its visual appeal but also in its representation of natural history. It serves as a testament to Martinet's skill as an artist while providing valuable insights into wildlife during the late eighteenth century. As we admire this extraordinary print, we are transported back in time, appreciating the fusion of European and Asian artistic styles that captivated audiences centuries ago. Through Bridgeman Images' lens, we can now cherish this remarkable piece from our own homes while celebrating the rich cultural exchange between continents long ago.
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