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Frontispice du "Livre des monnoyes etrangeres ou le grand banker de
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Frontispice du "Livre des monnoyes etrangeres ou le grand banker de
XEE4162416 Frontispice du " Livre des monnoyes etrangeres ou le grand banker de France" (1687) by Francois Barreme (1638-1703), French mathematician. The pen-writing character is probably a portrait of the author. Engraving in " Le Magasin picturesque", 1852. by French School, (19th century); Private Collection; (add.info.: Frontispice du " Livre des monnoyes etrangeres ou le grand banker de France" (1687) by Francois Barreme (1638-1703), French mathematician. The pen-writing character is probably a portrait of the author. Engraving in " Le Magasin picturesque", 1852.); Stefano Bianchetti; French, out of copyright
Media ID 23709070
© Stefano Bianchetti / Bridgeman Images
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The captivating frontispiece of "Livre des monnoyes etrangeres ou le grand banker de France" (1687) by Francois Barreme, a renowned French mathematician, is a testament to the intricate artistry and intellectual prowess of its time. This exquisite engraving, featured in "Le Magasin picturesque" in 1852, showcases the fusion of commerce and creativity. At first glance, one's eyes are drawn to the pen-writing character at the center of the print. It is widely believed that this figure represents none other than Barreme himself—a fitting tribute to his expertise as an author and mathematician. The attention to detail in capturing his likeness speaks volumes about his significance within these pages. Surrounding him are symbols that epitomize finance and trade: banknotes fluttering through the air like confetti, golden coins cascading down from above, and scales representing balance and fairness. These elements serve as visual metaphors for Barreme's exploration of foreign currencies and their impact on France's economy during this era. The black-and-white aesthetic adds a timeless quality to this artwork while emphasizing its historical context. As we gaze upon this frontispiece today, we can appreciate both its artistic beauty and its scholarly importance—reminders of how knowledge was disseminated centuries ago. This remarkable print from Stefano Bianchetti's private collection offers us a glimpse into an era where mathematics intertwined with commerce—a reminder that even in our modern world, these disciplines remain inseparable
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