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Cover of the program of the theatre Antoine, directed by Simone Berriau, 1956

Cover of the program of the theatre Antoine, directed by Simone Berriau, 1956


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Cover of the program of the theatre Antoine, directed by Simone Berriau, 1956

LSE4111977 Cover of the program of the theatre Antoine, directed by Simone Berriau, 1956. Illustration by Toulouse Lautrec (already used for the first spectacle of free theatre). by Toulouse-Lautrec, Henri de (1864-1901); Private Collection; (add.info.: Cover of the program of the theatre Antoine, directed by Simone Berriau, 1956. Illustration by Toulouse Lautrec (already used for the first spectacle of free theatre).); Photo eLeonard de Selva; French, out of copyright

Media ID 23727302

© Leonard de Selva / Bridgeman Images

Binoculars Spectator


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EDITORS COMMENTS
This photograph captures the cover of a program from the Theatre Antoine in 1956, directed by Simone Berriau. The illustration on the cover is a masterpiece by renowned artist Toulouse-Lautrec, previously used for the first spectacle of free theatre. The image showcases a young girl engrossed in her role as a spectator, peering through her binoculars with curiosity and anticipation. Her eyes are filled with wonder as she immerses herself in the world unfolding before her on stage. The engraving exudes an air of elegance and sophistication, typical of French art during this period. It transports us back to 20th century Paris, where theatre was not just entertainment but also an integral part of cultural life. Leonard de Selva's expert photography beautifully captures every intricate detail of this historical artifact, preserving it for future generations to admire. The composition allows us to appreciate both the delicate lines and bold strokes that make up Toulouse-Lautrec's iconic style. As we gaze upon this print, we are reminded of the power that art holds to transcend time and connect people across generations. It serves as a testament to the enduring legacy left behind by talented artists like Toulouse-Lautrec and visionary directors such as Simone Berriau. In conclusion, Leonard de Selva's photograph offers us a glimpse into the past while celebrating artistic excellence through its portrayal of this remarkable theater program cover from 1956.

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