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Political Ravishment, or The Old Lady of Threadneedle Street in danger
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Political Ravishment, or The Old Lady of Threadneedle Street in danger
1218698 Political Ravishment, or The Old Lady of Threadneedle Street in danger!, published by Hannah Humphrey, 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright
Media ID 23386580
© Bridgeman Images
Assault Coins Gentlemen Grabbing Kissing Loan Lock Pickpocket Pocket Robbing Safe Shock Shocked Stealing Clinch Pickpocketing
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Political Ravishment, or The Old Lady of Threadneedle Street in danger!
EDITORS COMMENTS
is a captivating and thought-provoking print created by James Gillray in 1797. This hand-coloured etching depicts a scene filled with tension and intrigue. In the foreground, we witness an elderly lady, known as "The Old Lady of Threadneedle Street" being targeted by a cunning pickpocket. With nimble fingers and sly determination, the thief attempts to snatch coins from her pocket while she remains oblivious to the imminent danger. Gillray's caricature captures the stark contrast between innocence and deception. The shocked expression on the old lady's face reveals her vulnerability as she becomes unwittingly entangled in this act of robbery. Meanwhile, two gentlemen nearby seem unaware or indifferent to her plight. This satirical artwork serves as a commentary on societal issues prevalent during that era. It highlights themes such as financial corruption, gender inequality, and social apathy towards vulnerable individuals. Through his sharp wit and artistic skill, Gillray invites viewers to reflect upon these pressing concerns. The intricate details within this engraving showcase Gillray's mastery in capturing facial expressions and conveying emotions through visual storytelling. The use of vibrant colors adds depth to the narrative unfolding before our eyes. As we gaze at this remarkable piece from Fine Art Finder's collection courtesy of New College Oxford, we are reminded that art has always been a powerful medium for social critique throughout history – provoking conversations about justice, morality, and human nature itself
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