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Sketches in British Columbia, Mouth of the River Skeena (engraving)
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Sketches in British Columbia, Mouth of the River Skeena (engraving)
1590754 Sketches in British Columbia, Mouth of the River Skeena (engraving) by Loye, Charles Auguste (Montbard) (1841-1905); Private Collection; (add.info.: Sketches in British Columbia, Mouth of the River Skeena. Illustration for The Illustrated London News, 19 November 1881.
G Montbard); Look and Learn / Illustrated Papers Collection
Media ID 22316874
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
British Columbia Loye Charles Auguste 1841 1905 Montbard G Montbard George Mouth Americhe Canadians Skeena River
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This print titled "Sketches in British Columbia, Mouth of the River Skeena" takes us on a visual journey to the untamed beauty of Canada's western hemisphere. Created by Charles Auguste Loye, a talented French illustrator, this engraving captures the essence of British Columbia's rugged landscapes and its connection to the mighty Skeena River. The image transports us to the mouth of the River Skeena, where nature's grandeur unfolds before our eyes. The topography is beautifully depicted, showcasing mountains that reach for the sky and dense forests that stretch as far as the eye can see. The river itself flows with power and grace, carving its way through this awe-inspiring terrain. Loye's attention to detail allows us to immerse ourselves in this Canadian wilderness. Every stroke of his pen brings life to every element within the scene - from towering trees swaying in harmony with gentle breezes to distant wildlife dotting the landscape. As we gaze upon this artwork, we are reminded of both Canada's rich natural heritage and Loye's remarkable talent as an illustrator. This piece was originally published in The Illustrated London News back in 1881, capturing imaginations even then with its portrayal of British Columbia's raw beauty. Now preserved within a private collection but made accessible through Fine Art Finder and Bridgeman Images, this print invites us into a world untouched by time – an invitation we gladly accept as we marvel at Loye’s ability to capture such breathtaking scenes on paper.
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