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Portrait of Lady Lucy Whitmore, nee Bridgeman (1792-1840), c. 1812-40 (oil and canvas)
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Portrait of Lady Lucy Whitmore, nee Bridgeman (1792-1840), c. 1812-40 (oil and canvas)
7240867 Portrait of Lady Lucy Whitmore, nee Bridgeman (1792-1840), c.1812-40 (oil and canvas) by Newton, William John (1785-1869); 7.8x6.3 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: Half length, the sitter wearing purple dress with lace trim and a rose in her hair
Sir William John Newton (1785-1869)); Trustees of the Weston Park Foundation
Media ID 24911550
© Trustees of the Weston Park Foundation / Bridgeman Images
Aristocratic Flowers Of Earth Frock Garden Flower Hairstyles Hairstyling Nobilty Noble Women Nobleman Nobles Noblewoman Noblewomen Oil On Cnvas Oil Painting On Wood Oil Paintings Oil Paints Ringlets Roses Saree Sarees Wild Flower Wild Roses Flowerbed Flowes Fresh Flowers Hair Style Noble Oil On Panel Portait Portriat Societies Summer Clothes The Woman
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EDITORS COMMENTS
This portrait captures the elegance and grace of Lady Lucy Whitmore, nee Bridgeman, a prominent figure in 19th-century aristocratic society. Painted by Sir William John Newton between 1812 and 1840, this oil on canvas masterpiece measures just 7.8x6.3 cm but exudes an undeniable presence. Lady Lucy is depicted in half-length, adorned in a regal purple dress with delicate lace trim that accentuates her refined taste. A single rose adorns her hair, adding a touch of natural beauty to her already striking appearance. Her ringlets cascade down her shoulders in a fashionable hairstyle of the era. The artist's attention to detail is evident not only in Lady Lucy's attire but also in the vibrant colors used throughout the painting. The rich hues bring life to every element captured within the frame - from the intricate lacework to the gentle petals of the rose. In addition to showcasing Lady Lucy's beauty and sophistication, this portrait also hints at her connection with nature and botany. The inclusion of various wildlife animals and wildflowers surrounding her suggests an appreciation for natural history and science. As we gaze upon this remarkable piece from The Weston Park Foundation collection in Shropshire, UK, we are transported back to a time when nobility reigned supreme and art served as a window into their opulent world.
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