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Helmet mask (kifwebe), late 19th to early 20th century (wood & paint)
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Helmet mask (kifwebe), late 19th to early 20th century (wood & paint)
1068189 Helmet mask (kifwebe), late 19th to early 20th century (wood & paint) by African School; 60.3x34.3x29.2 cm; Dallas Museum of Art, Texas, USA; (add.info.: Made by the Songye, a Bantu group from the Congo River Basin, Central Africa.); The Clark and Frances Stillman Collection of Congo Sculpture, The Eugene and Margaret McDermott Art Fund, Inc
Media ID 31712620
© The Clark and Frances Stillman Collection of Congo Sculpture, The Eugene and Margaret McDermott Art Fund, Inc. / Bridgeman Images
Anthropological Anthropology Bantu Bas Reliefs Carvings Central African Ethnographic Faces Helmets Mask Masks Striped Stripes Wooden Carving Afica Afric Central Africa Ethnography
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EDITORS COMMENTS
This print showcases a remarkable Helmet mask (kifwebe) from the late 19th to early 20th century. Crafted by the skilled hands of the African School, this wooden and painted mask measures an impressive 60.3x34.3x29.2 cm and is currently housed in the Dallas Museum of Art in Texas, USA. Originating from the Songye people, a Bantu group residing in the Congo River Basin of Central Africa, this helmet mask holds great cultural significance. Its striking design features bold stripes that adorn its face, creating a visually stunning piece of art. The Clark and Frances Stillman Collection of Congo Sculpture proudly displays this extraordinary artifact as part of their collection. The Eugene and Margaret McDermott Art Fund played a vital role in acquiring this masterpiece for public appreciation. With its intricate carvings and vibrant paintwork, this helmet mask represents not only artistic excellence but also serves as an anthropological treasure. It offers insight into the rich traditions and beliefs held by African cultures throughout history. Through Bridgeman Images' lens, we are granted access to explore the beauty and complexity of African artistry through this exceptional wooden carving. This photograph invites us to appreciate both its aesthetic allure and its profound cultural significance within Central Africa's diverse heritage.
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