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Vignette XXI. The Elkhorn Pyramid (on the Upper Missouri), Bodmer's America, c.1836-43 (copperplate engraving on paper)
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Vignette XXI. The Elkhorn Pyramid (on the Upper Missouri), Bodmer's America, c.1836-43 (copperplate engraving on paper)
7429490 Vignette XXI. The Elkhorn Pyramid (on the Upper Missouri), Bodmer's America, c.1836-43 (copperplate engraving on paper) by Bodmer, Karl (1809-93); 53x41 cm; Alecto Historical Editions, London, UK; (add.info.: During the voyage upriver from Fort Union to Fort McKenzie, Prince Maximilian observed a large mound of elk antlers stacked on the prairie near the river, noting in his journal that the immediate area was strewn with many relics of this kind. He was told that hunting parties of Blackfeet had collected these antlers, creating a pile which had become more than fifteen feet high, when Maximilian saw it, and consisted of more than a thousand antlers according to various estimates.); Alecto Historical Editions
Media ID 33097912
© Alecto Historical Editions / Bridgeman Images
American Native Indians Amerindian Animal Horn Deer Deers Fawn Indigenous People Indigenous Peoples Of The Americas Indigineous Missouri Moose Native America Native American Indian Native American Indians Native Americans Native North Americans Native People North American Indian Pyarmid Pyramid Pyramids Towers 19e Siecle 19th Century Americae Etats Unis Etats Unis Usa United States Gravure Engraving Horn Animal Natives
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EDITORS COMMENTS
The print titled "Vignette XXI. The Elkhorn Pyramid (on the Upper Missouri)" captures a fascinating scene from Bodmer's America, created between 1836 and 1843. This copperplate engraving on paper showcases the artistic talent of Karl Bodmer, measuring an impressive 53x41 cm. In this image, we are transported to the vast prairies near the river where Prince Maximilian embarked on his journey upriver from Fort Union to Fort McKenzie. The focal point of the composition is a towering pyramid made entirely out of elk antlers, known as The Elkhorn Pyramid. It stands as a testament to the hunting prowess and cultural significance of the Blackfeet tribe. Prince Maximilian noted in his journal that he encountered numerous relics scattered across this area, but none were as striking or awe-inspiring as this monumental structure constructed by Blackfeet hunting parties. Estimates suggest that over a thousand antlers were used to create this magnificent pile, which reached heights exceeding fifteen feet. Bodmer's meticulous attention to detail brings this historical moment to life through his intricate engravings. Every line and stroke beautifully captures not only the physicality of these majestic creatures but also pays homage to Native American culture and their deep connection with nature. This remarkable piece serves as both an artistic masterpiece and a valuable historical document depicting early encounters between European explorers and indigenous peoples in North America during the 19th century.
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