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Study of three soldiers for the Resurrection (black chalk on paper)

Study of three soldiers for the Resurrection (black chalk on paper)


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Study of three soldiers for the Resurrection (black chalk on paper)

2652199 Study of three soldiers for the Resurrection (black chalk on paper) by Raphael, Sanzio of Urbino (1483-1520) (workshop); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian, out of copyright

Media ID 22681106

© Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images

Anatomical Anatomist Anguish Crouching Despair Evocative Guards Hiding High Life Of Christ Muscular Preparatory Shame Studies Testament Fear


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> Arts > Art Movements > Renaissance Art

> Arts > Artists > R > Raphael

> Arts > Artists > Raphael

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> Arts > Realistic drawings > Still life drawings > Life drawings

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> Historic > Renaissance art > Famous works of Raphael > Famous works by Raphael

> Historic > Renaissance art > Famous works of Raphael > Italian Renaissance paintings

> Historic > Renaissance art > Famous works of Raphael

> Historic > Renaissance art


EDITORS COMMENTS
This black chalk drawing by Raphael, titled "Study of three soldiers for the Resurrection" offers a profound glimpse into the artist's meticulous preparatory work. Created during the Renaissance period, this evocative piece showcases Raphael's mastery in capturing both anatomical details and emotional depth. The study depicts three muscular soldiers, their bodies rendered with remarkable precision. Each figure is portrayed in a crouching position, conveying a sense of anguish and despair. Their nakedness serves as a metaphor for vulnerability and shame, highlighting the contrast between physical strength and spiritual weakness. As Christian symbols are intertwined throughout this composition, it becomes evident that these soldiers represent more than mere warriors. They embody humanity's struggle with fear and doubt while guarding against new beginnings. The religious undertones suggest that they may be witnesses to Christ's resurrection or perhaps participants in his crucifixion. Raphael's attention to detail is apparent not only in the figures' anatomy but also in their facial expressions which convey deep introspection. This study exemplifies his skill as an anatomist who sought to understand human form on both physical and emotional levels. Housed within The Devonshire Collections at Chatsworth House, this print offers viewers an intimate connection to one of history's greatest artistic minds. It invites contemplation on themes of faith, redemption, and the complexities of human existence – timeless subjects that continue to resonate today.

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