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Edward the Confessor Stripping his Mother of Her Effects, c. 1763 (oil on canvas)
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Edward the Confessor Stripping his Mother of Her Effects, c. 1763 (oil on canvas)
HEH416422 Edward the Confessor Stripping his Mother of Her Effects, c.1763 (oil on canvas) by Mortimer, John Hamilton (1741-79); 61.6x50.2 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA, USA; (add.info.: Edward the Confessor (c.1003-1066) King of England; Emma of Normandy (c.985-1052) Queen of England, his mother; deprived of her property at Winchester in 1043 but restored to favour soon after; ); © Huntington Art Collections; © Huntington Library, Art Museum, and Botanical Gardens
Media ID 25467822
© Huntington Art Collections Huntington Library, Art Museum, and Botanical Gardens / Bridgeman Images
11 11th 11th Xi 11th 11th Century 11 11th Xi Xith Century 11 Century 11th Century 11th Century Bc Anglo Saxon C11th Classical Dress Cruel Cruelty Edward The Confessor Eleventh Century Humiliation King Edward The Confessor Merciless Rejection Ruthless Sec Xi Xi Century Xith Century Xith Century Bc Monarch Rulers
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EDITORS COMMENTS
The painting "Edward the Confessor Stripping his Mother of Her Effects" by John Hamilton Mortimer depicts a dramatic and poignant scene from medieval history. In this powerful image, we see Edward the Confessor, King of England in the 11th century, ruthlessly stripping his own mother, Emma of Normandy, of her possessions. The artist captures the cruelty and rejection experienced by Queen Emma as she is humiliated and deprived of her property at Winchester in 1043. However, despite this callous act, history tells us that she was eventually restored to favor soon after. This artwork serves as a reminder of the unfeeling nature often associated with rulers during this time period. It reflects both the power dynamics within royal families and the harsh reality faced by those who fell out of favor. Mortimer's attention to detail is evident in his portrayal of classical dress worn by Edward and Emma, adding an authentic touch to their historical identities. The composition evokes a sense of tension and emotion through its use of lighting and expressive brushstrokes. Displayed at Huntington Library, Art Museum, and Botanical Gardens in San Marino, California, this painting offers viewers a glimpse into English history while also highlighting themes such as family dynamics and political intrigue that are still relevant today.
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