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Antiquarian Sketches in Guatemala, Central America (engraving)

Antiquarian Sketches in Guatemala, Central America (engraving)


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Antiquarian Sketches in Guatemala, Central America (engraving)

1626631 Antiquarian Sketches in Guatemala, Central America (engraving) by Frenzeny, Paul (1840-1902); Private Collection; (add.info.: Antiquarian Sketches in Guatemala, Central America. Illustration for The Illustrated London News, 27 April 1889.
P Frenzeny); Look and Learn / Illustrated Papers Collection

Media ID 22857536

© Look and Learn / Illustrated Papers Collection / Bridgeman Images

Built Burial Cathloic Cathoic Central America Cliff Cliff Top Cliffs Dwellings Frontier Fuego Ground Guatemala Hieroglyphic Inscriptions Judges Laguna Prehistoric Rocks Roman Catholicism Santa Lucia Sculptured Sea Cliff Seats Sphinx Stones Tierra Yucatan Zodiac Catholic Religion Catholics Ciudad Vieja Coban Flores Lake Atitlan Mistle Peten Places Of Worship Stone Church Tableland


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> Architecture > Cathedrals

> Architecture > Country > America

> Architecture > Country > Spain

> Architecture > Religious

> Architecture > Styles > Roman Architecture

> Architecture > Temples

> Arts > Artists > F > Paul Frenzeny

> Arts > Artists > R > Roman Roman

> Arts > Landscape paintings > Forest and woodland scenes > Forest artwork

> Arts > Realistic drawings > Architectural sketches > Fine art prints

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EDITORS COMMENTS
This print titled "Antiquarian Sketches in Guatemala, Central America" takes us on a visual journey through the rich history and cultural heritage of this enchanting region. The engraving, created by Paul Frenzeny in 1889 for The Illustrated London News, offers a glimpse into the diverse landscapes and architectural wonders that define Guatemala. In this image, we are transported to mistle-covered cliffs overlooking a picturesque town nestled amidst lush forests. A majestic church stands proudly as judges gather in its shadow. Built upon prehistoric burial grounds, it bears Spanish influence with hieroglyphic inscriptions adorning its walls. The scene is further enhanced by the presence of volcanoes de la Agua and Esquintla in the distance, their grandeur contrasting against the delicate stone dwellings scattered along the shore of Lake Atitlan. Ruins tell stories of ancient civilizations while zodiac symbols hint at celestial beliefs intertwined with daily life. As our eyes wander across this tableau, we discover temples and cathedrals sculptured with intricate detail. These remnants from centuries past stand as testaments to both Catholicism's stronghold and indigenous spirituality within Guatemala. Through this artwork, Frenzeny captures not only the beauty but also the complexity of Guatemalan culture—a harmonious blend of European influences brought by Spain and deeply rooted indigenous traditions. It serves as a reminder that art has always been an essential medium for understanding history and appreciating diverse cultures across different corners of our world.

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