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Dutchmans pipe, false beech-drops, pinesap or yellow bird s-nest, Monotropa hypopitys (Pine-sap, Hypopithys lanuginosa)
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Dutchmans pipe, false beech-drops, pinesap or yellow bird s-nest, Monotropa hypopitys (Pine-sap, Hypopithys lanuginosa)
6339747 Dutchmans pipe, false beech-drops, pinesap or yellow bird s-nest, Monotropa hypopitys (Pine-sap, Hypopithys lanuginosa) by Endicott (18th-19th century); (add.info.: Dutchmans pipe, false beech-drops, pinesap or yellow bird s-nest, Monotropa hypopitys (Pine-sap, Hypopithys lanuginosa). Handcoloured lithograph by Endicott after a botanical illustration from John Torreys A Flora of the State of New York, Carroll and Cook, Albany, 1843. The plates drawn by John Torrey, Agnes Mitchell, Elizabeth Paoley and Swinton. John Torrey was an American botanist, chemist and physician 1796-1873.); © Florilegius
Media ID 25215692
© Florilegius / Bridgeman Images
A Flora Of The State Of New York Agnes Mitchell Botanical Art Draughtsman Elizabeth Paoley Endicott Illustrating John Torrey Lower New York New York City New York Scientific Illustration Swinton Vue De New York America Continent Botanical Illustration Botanical Plate Dutchmans Pipe Handcoloured Pinesap
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EDITORS COMMENTS
This print showcases the delicate beauty of Dutchmans pipe, false beech-drops, pinesap or yellow bird s-nest, scientifically known as Monotropa hypopitys (Pine-sap, Hypopithys lanuginosa). The image is a handcoloured lithograph by Endicott after a botanical illustration from John Torreys A Flora of the State of New York. The artist's attention to detail and vibrant use of colors brings this botanical specimen to life. Every intricate feature, from the unique shape of its petals to the subtle shading on its leaves, is meticulously captured in this artwork. John Torrey, an American botanist and physician who lived during the 18th-19th century, was responsible for drawing these plates. Alongside him were talented artists Agnes Mitchell, Elizabeth Paoley, and Swinton. Their collaboration resulted in a stunning representation of nature's wonders. This piece not only serves as a visual delight but also highlights scientific methods used in botanical illustrations during that era. It reflects both artistic skill and scientific accuracy. Displayed against a white background with no distractions allows viewers to appreciate every aspect of this enchanting plant species. Its presence evokes feelings of tranquility and curiosity about the natural world around us. Overall, this print captures the essence of Victorian-era botanical art while showcasing America's rich flora diversity through John Torrey's meticulous drawings. It stands as a testament to both artistic expression and scientific exploration within the field of botany.
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