Edouard Manet Gallery

North African (Berber) man of Cefala (Ras El Djebel, Tunisia), 1, 1859-1860 (engraving)

7234130 North African (Berber) man of Cefala (Ras El Djebel, Tunisia), 1, 1859-1860 (engraving) by Krieger, Christoph (d.c.1590); Private Collection; (add.info.: North African (Berber) man of Cefala (Ras El Djebel, Tunisia), 16th century. Armed with lance and bow and arrows, he wears a hat decorated with gold and fine stones, and robes of cotton or silk. Indien Africain de Ceffala. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellio's 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.); © Florilegius

© © Florilegius / Bridgeman Images

Portrait of Berthe Morisot (1841-1895) and his daughter (Julie Manet, 1878-1966) (1894). Auguste Rebnoir (1841-1919). Pastel and charcoal on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais

SYC4195806 Portrait of Berthe Morisot (1841-1895) and his daughter (Julie Manet, 1878-1966) (1894). Auguste Rebnoir (1841-1919). Pastel and charcoal on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais. by Manet, Edouard (1832-83); (add.info.: Portrait of Berthe Morisot (1841-1895) and his daughter (Julie Manet, 1878-1966) (1894). Auguste Rebnoir (1841-1919). Pastel and charcoal on solid glue paper on cardboard. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.); Photo © Sylvain Collet

© © Sylvain Collet / Bridgeman Images

THE TEMPTATION OF CHRIST, 1891-1901 (oil on canvas)

7215311 THE TEMPTATION OF CHRIST, 1891-1901 (oil on canvas) by Repin, Ilya Efimovich (1844-1930); Musee des Beaux-Arts, Calais, France; (add.info.: 1891-1901//Oil on canvas
Repin began to take an interest in the theme of the Temptation of Christ from 1873, after hearing the stories of the painter Ivan Kramskoy on the genesis of his Christ in the desert (1872, Moscow, State Tretyakov Gallery). He did not work on this subject himself until 1890. After many studies, in 1898 he made a trip to Palestine to the holy places. But he takes up his painting so much later that it becomes a burden for him. The canvas, damaged during a fire in his workshop, is finally destroyed by Repine. Today it is only known by sketches.); Photo © Sylvain Collet

© © Sylvain Collet / Bridgeman Images