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The Temptation at the Temple, detail. Maesta altarpiece (tempera and gold on wood
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The Temptation at the Temple, detail. Maesta altarpiece (tempera and gold on wood
LRI4571897 The Temptation at the Temple, detail. Maesta altarpiece (tempera and gold on wood, 1308-1311) by Duccio di Buoninsegna, (c.1278-1318); Museo dell Opera del Duomo, Siena, Italy; (add.info.: The Temptation at the Temple Detail Verso of the Altarpiece - Painting by Duccio di Buoninsegna (1255-1319), 1308-1311 Dim 43x45, 5 cm Tempera on wood with golden background Museo dell Opera del Duomo, Siena (Museum of the work of the Cathedrale of Siena)); Luisa Ricciarini; Italian, out of copyright
Media ID 23335486
© Luisa Ricciarini / Bridgeman Images
Devil Good Against Evil Temptation Trecento Aureole
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EDITORS COMMENTS
This print showcases a mesmerizing detail from Duccio di Buoninsegna's renowned Maesta altarpiece, titled "The Temptation at the Temple". Created between 1308 and 1311, this masterpiece is made using tempera and gold on wood. The painting can be found in the Museo dell Opera del Duomo in Siena, Italy. In this particular section of the altarpiece, we are presented with a powerful depiction of good versus evil. The central figure of Jesus Christ stands tall and resolute as he confronts the devil who tempts him at the temple. Duccio's meticulous brushwork brings life to every intricate detail, from the golden background that surrounds Jesus to the expressive faces of both characters. The composition exudes a sense of tension and drama as viewers witness this pivotal biblical scene unfold before their eyes. The artist skillfully captures not only physical attributes but also conveys deeper spiritual themes through his artistry. Luisa Ricciarini has expertly captured this moment through her lens, allowing us to appreciate every nuance and texture present in Duccio's original work. This photograph serves as a testament to both Ricciarini's talent as a photographer and Duccio di Buoninsegna's enduring legacy as one of Italy's most celebrated artists from the Trecento period. As we gaze upon this image, we are reminded of the timeless struggle between good and evil that continues to resonate
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