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Plate 614. Trotting; Breaking to Gallop; Sorrel Mare Flode Holden

Plate 614. Trotting; Breaking to Gallop; Sorrel Mare Flode Holden


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Plate 614. Trotting; Breaking to Gallop; Sorrel Mare Flode Holden

3950590 Plate 614. Trotting; Breaking to Gallop; Sorrel Mare Flode Holden, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.8x39.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume IX, Horses); gift of the Edwin J. Beinecke Trust; English, out of copyright

Media ID 22544998

© gift of the Edwin J. Beinecke Trust / Bridgeman Images

Animal Locomotion Buggy Driver Early Motion Picture Sequence Frames Gallop Galloping Horse And Cart Motion Sequence Sequential Stop Motion Sulky Cart Trot Trotting Two Wheeled Vehicle B W Photo Black And White Photograph


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EDITORS COMMENTS
This photograph, titled "Plate 614. Trotting; Breaking to Gallop; Sorrel Mare Flode Holden" captures a mesmerizing moment frozen in time by the renowned photographer Eadweard Muybridge. Taken in 1885 as part of his groundbreaking series "Animal Locomotion" this collotype print showcases the beauty and power of a sorrel mare transitioning from trotting to galloping. Measuring at 19.8x39.7 cm, this image is housed in the prestigious Addison Gallery of American Art at Phillips Academy in Andover, MA, USA. Donated by the Edwin J. Beinecke Trust, it remains an invaluable piece that highlights Muybridge's significant contributions to early motion picture sequences and scientific photography. In this particular frame, we witness a man seated on a sulky cart being pulled by the magnificent sorrel mare. The horse's muscles are taut with energy as it breaks into a graceful gallop from its previous trotting gait. The sequence captured here allows us to study every intricate movement and detail of both horse and driver. Muybridge's meticulous stop-motion technique brings life to each frame within this photographic sequence, providing insight into animal locomotion for scientific study purposes. This image not only celebrates equestrianism but also serves as a testament to Muybridge's pioneering work in capturing movement through sequential photography. As we gaze upon this remarkable photograph, we are transported back in time to witness

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