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Tomb of Carlo Marsuppini, Santa Croce, Florence, 1891 (watercolor on paper)
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Tomb of Carlo Marsuppini, Santa Croce, Florence, 1891 (watercolor on paper)
3259033 Tomb of Carlo Marsuppini, Santa Croce, Florence, 1891 (watercolor on paper) by Mackintosh, Charles Rennie (1868-1928); Private Collection; (add.info.: Portfolio of Mackintosh sketches created in Italy. Formerly part of the Dr. Thomas Howarth collection, sold at Christies, Feb. 17, 1994.); Archivision Inc.; Scottish, out of copyright
Media ID 22438938
© Archivision Inc. / Bridgeman Images
Architectural Exteriors Decorative Arts
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This print showcases the Tomb of Carlo Marsuppini, located in Santa Croce, Florence. Created in 1891 by Charles Rennie Mackintosh, this exquisite watercolor on paper captures the intricate details and beauty of this architectural masterpiece. The tomb is a testament to Mackintosh's exceptional talent as an artist and his deep appreciation for Italian art and culture. The delicate brushstrokes bring to life every element of the tomb's design, from its ornate carvings to its grandeur proportions. Originally part of a portfolio of sketches created during Mackintosh's time in Italy, this particular artwork was once owned by Dr. Thomas Howarth before being sold at Christie's auction house on February 17th, 1994. Now residing in a private collection, it continues to be admired for its historical significance and artistic brilliance. Mackintosh's depiction not only showcases his mastery of drawing but also highlights his keen eye for capturing architectural exteriors with precision and elegance. This piece serves as a reminder of the enduring legacy left behind by one of Scotland's most celebrated artists. As we gaze upon this remarkable image, we are transported back to nineteenth-century Florence, where artistry flourished and creativity knew no bounds. It is through prints like these that we can appreciate the rich history and cultural heritage preserved within each stroke of paint or pencil mark – forever frozen in time for us to admire.
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