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The Marriage of Cupid and Psyche, c. 1550 (oil on wood, transferred to Masonite)

The Marriage of Cupid and Psyche, c. 1550 (oil on wood, transferred to Masonite)


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The Marriage of Cupid and Psyche, c. 1550 (oil on wood, transferred to Masonite)

3618034 The Marriage of Cupid and Psyche, c.1550 (oil on wood, transferred to Masonite) by Schiavone, Andrea (Meldolla) (fl.1527/30-63); 128.3 x 156.2 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Story originally from Metamorphoses (also called The Golden Ass) concerning the mortal Psyche and god Cupid (Eros), son of Venus, overcoming obstacles to the love between them, resulting in a sacred marriage celebrated in the presence of Juno, Jupiter, Mars, and other gods of Olympus. Originally an octagon, it was the central panel of a ceiling painted for the Castello di Salvatore di Collalto, near Venice.); Italian, out of copyright

Media ID 23007000

© Bridgeman Images

Desire Eros Italian Renaissance Lust Metamorphoses Mortal Soul Winged Symbolic


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Cricetidae > Golden Mouse

> Arts > Art Movements > Renaissance Art

> Arts > Artists > R > Roman Roman

> Classical art

> Europe > Italy > Paintings

> Europe > Italy > Veneto > Venice

> Fine Art Finder > Artists > Andrea (fl.1527/30-63) Schiavone

> Fine Art Finder > Artists > Carlo Saraceni

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art > Mythological subjects in renaissance

> Historic > Renaissance art

> Italian renaissance art


EDITORS COMMENTS
This print showcases "The Marriage of Cupid and Psyche" a masterpiece created by Andrea Schiavone in the mid-16th century. The painting, originally an octagon, now resides at the Metropolitan Museum of Art in New York City. Based on the ancient Roman myth from Ovid's Metamorphoses, this artwork tells the story of mortal Psyche and god Cupid (also known as Eros) overcoming numerous obstacles to unite their love. In this sacred marriage ceremony, witnessed by Juno, Jupiter, Mars, and other gods of Olympus, they symbolize desire and celebrate their union. Schiavone's skillful brushwork brings life to each character depicted in this Italian Renaissance piece. Psyche stands naked yet graceful with her wings spread wide while Cupid gazes lovingly at his bride-to-be. The allegorical figures surrounding them represent various aspects such as lust, soul, and celebration. Originally painted on wood but later transferred to Masonite for preservation purposes, this painting exemplifies classical beauty through its composition and attention to detail. It captures both the vulnerability of mortals and the ethereal nature of gods within a single frame. "The Marriage of Cupid and Psyche" remains an enduring symbol of everlasting love that transcends boundaries between mortals and immortals alike. Its presence at the Metropolitan Museum allows viewers to immerse themselves in a world where mythology intertwines with artistry during Italy's golden age.

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