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Studies of The Borghese Gladiator, c. 1856-57 (red & black chalk on paper)
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Studies of The Borghese Gladiator, c. 1856-57 (red & black chalk on paper)
CLK412376 Studies of The Borghese Gladiator, c.1856-57 (red & black chalk on paper) by Degas, Edgar (1834-1917); 24.2x31.3 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; French, out of copyright
Media ID 23247708
© Bridgeman Images
Anatomical Anatomist Dynamic Muscular Post Impressionism Swordsman Throwing Post Impressionist
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EDITORS COMMENTS
This print showcases Edgar Degas' "Studies of The Borghese Gladiator" in all its glory. Created around 1856-57, this piece is a testament to Degas' mastery of movement and anatomy. Executed with red and black chalk on paper, the artist's meticulous attention to detail is evident in every stroke. The subject of the artwork is a swordsman, depicted in full length as he prepares to throw his weapon. Degas' study delves deep into the anatomical structure of the male figure, capturing the muscularity and dynamic energy that defines this Hellenistic sculpture. In this post-impressionist masterpiece, Degas explores not only the physical form but also the essence of nakedness and nudity. His skillful sketching brings out both vulnerability and strength in equal measure. Housed at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts, USA, this drawing serves as an invaluable resource for artists seeking inspiration from one of history's greatest masters. Its timeless beauty continues to captivate viewers today. Thanks to Bridgeman Images for preserving this remarkable work through their high-quality reproduction techniques. This print allows art enthusiasts worldwide to appreciate Degas' genius firsthand without any commercial use distractions
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