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Cover of "The Grelot", numbero 1360, Satirique en Couleurs
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Cover of "The Grelot", numbero 1360, Satirique en Couleurs
ICA4923949 Cover of " The Grelot", numbero 1360, Satirique en Couleurs, 1897_5_2: The fall of an angel - Anticlericalism - Failure of the Church - Taxil Leo (1854-1907), Diable, Cures, Eveques - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " The Grelot", numbero 1360, Satirique en Couleurs, 1897_5_2: The fall of an angel - Anticlericalism - Failure of the Church - Taxil Leo (1854-1907), Diable, Cures, Eveques - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo eCaricadoc; French, out of copyright
Media ID 23344168
© Caricadoc / Bridgeman Images
Accusation Anticlericalism Elongated Nose Fall Franc Masonry Imaginary Character Physical Deformations Religious Metaphore Treason A Journal Caricadoc Journalism
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This print showcases the cover of "The Grelot" a satirical journal from 1897. The illustration, created by Edouard Guillaumin (Pepin), depicts the fall of an angel and explores themes of anticlericalism and the failure of the Church. The artist, known for his caricatures, skillfully portrays a scene filled with symbolism and social commentary. In this thought-provoking image, we see a female figure representing an angel who has fallen from grace. Surrounding her are clergy members, bishops, and even Satan himself (depicted as Diable). This composition highlights the perceived corruption within religious institutions during that time period. Guillaumin's artistic style is characterized by exaggerated physical deformations such as elongated noses, which add to the satirical nature of his work. Through this clever use of imagery and metaphorical storytelling, he criticizes both religious figures and their actions. "The Grelot" was renowned for its sharp wit and biting satire aimed at various aspects of society. It served as a platform for writers like Taxil Leo to express their views on religion, politics, and other controversial topics. This print not only captures a significant moment in history but also invites viewers to reflect on societal issues that were prevalent in France during the late 19th century.
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