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The cloister of the charterhouse, 1833 (etching with brown wash)

The cloister of the charterhouse, 1833 (etching with brown wash)


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The cloister of the charterhouse, 1833 (etching with brown wash)

STC384973 The cloister of the charterhouse, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info.: Cloitre de la chartreuse; Engraved by Pietro Fontana (1762-1837); from Recueil des vues au bister dessinees et lavees par Callimachus, Souvenirs d antiquites et curiosites de Rome et des environs, Deblayements et reparations du Pape Pie VII ; Pope Pius VII (1742-1823) Papacy (1800-23) Count Barnaba Niccolo Maria Luigi Chiaramonti; Michelangelo converted the Baths of Diocletian into the church of the Carthusian convent, Santa Maria degli Angeli; He may also have designed the cloisters; ); The Stapleton Collection; Italian, out of copyright

Media ID 22404284

© The Stapleton Collection / Bridgeman Images

Arcade Arcades Carthusians Monastery Quad Quadrangle Monks


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> Animals > Mammals > Phyllostomidae > Angeli

> Architecture > Churches

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Styles > Roman Architecture

> Arts > Artists > Michelangelo

> Arts > Artists > R > Roman Roman

> Europe > Italy > Lazio > Rome

> Fine Art Finder > Artists > Agostino Tofanelli

> Fine Art Finder > Italy


The Cloister of the Charterhouse, 1833

EDITORS COMMENTS
is a captivating etching with brown wash that transports viewers to the serene world of a Carthusian monastery. The print, created by Agostino Tofanelli and engraved by Pietro Fontana, showcases the exquisite architecture and peaceful ambiance of this sacred space. In this image, we are invited to explore the cloisters of the charterhouse, an architectural marvel designed by none other than Michelangelo himself. The arcades gracefully curve around a quadrangle, creating a harmonious symphony between light and shadow. As we gaze upon this scene, we can almost hear the soft footsteps of monks as they traverse these hallowed halls in contemplation. The artist's attention to detail is remarkable; every archway and column is meticulously rendered with precision and finesse. Through Tofanelli's masterful technique and Fontana's skilled engraving work, each line seems to breathe life into this timeless composition. This print not only captures the beauty of monastic architecture but also offers us a glimpse into centuries-old traditions upheld within these walls. It serves as a testament to the dedication and devotion of those who have sought solace in these sacred spaces throughout history. "The Cloister of the Charterhouse" is more than just an artwork; it is an invitation for reflection and introspection. It reminds us that amidst our bustling lives, there exists places where tranquility reigns supreme – places where one can find respite from worldly concerns and

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