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Count Von Bismarck-Schoenausen (colour litho)

Count Von Bismarck-Schoenausen (colour litho)


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Count Von Bismarck-Schoenausen (colour litho)

612354 Count Von Bismarck-Schoenausen (colour litho) by Tissot, James Jacques Joseph (1836-1902); Private Collection; (add.info.: Count Von Bismarck-Schoenausen, Fritz, 24 September 1870, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection

Media ID 22934460

© Look and Learn / Peter Jackson Collection / Bridgeman Images

Fritz James Jacques Joseph Tissot James Tissot Tissot James Jacques Joseph 1836 1902 Vanity Fair


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Count Von Bismarck-Schoenausen - A Satirical Portrait of Power and Politics

EDITORS COMMENTS
. This print captures the essence of Count Von Bismarck-Schoenausen, a prominent figure in 19th-century European politics. Created by the talented artist James Jacques Joseph Tissot, this color lithograph showcases his mastery in capturing both physical likeness and satirical commentary. The image depicts Fritz, as he was commonly known, on September 24,1870. Originally published as a Vanity Fair cartoon, it offers a scathing satire that reflects the political climate of the time. With meticulous attention to detail and an astute understanding of caricature artistry, Tissot presents us with a thought-provoking portrayal. Fritz's countenance is filled with authority and confidence befitting his position. His finely tailored attire exudes wealth and power while hinting at his aristocratic background. The artist skillfully incorporates elements of French culture into the composition, emphasizing Fritz's role in shaping European politics during this period. Tissot's work stands as a testament to his talent as both painter and observer of society. Through this piece, he invites viewers to reflect upon the complexities of power dynamics within Europe during the late nineteenth century. As we gaze upon this remarkable artwork from Fine Art Finder's collection curated by Bridgeman Images, we are transported back in time to witness an era where art served not only as aesthetic pleasure but also as social commentary

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