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Joseph Thompson and Mandaras warriors, who spit on his boots with insolence, to claim presents. Engraving by Y. Pranishnikoff, to illustrate the story "Au pays des massai", by JosephThompson (1858-1895)
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Joseph Thompson and Mandaras warriors, who spit on his boots with insolence, to claim presents. Engraving by Y. Pranishnikoff, to illustrate the story "Au pays des massai", by JosephThompson (1858-1895)
LSE4334123 Joseph Thompson and Mandaras warriors, who spit on his boots with insolence, to claim presents. Engraving by Y.Pranishnikoff, to illustrate the story " Au pays des massai", by JosephThompson (1858-1895). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris. by Pranishnikoff, Ivan (1841-1909); Private Collection; (add.info.: Joseph Thompson and Mandaras warriors, who spit on his boots with insolence, to claim presents. Engraving by Y.Pranishnikoff, to illustrate the story " Au pays des massai", by JosephThompson (1858-1895). Published in Le Tour du monde, nouveau journal des voyages, 2nd semester 1885, edited by Edouard Charton (1807-1890), edition Hachette, Paris.); © Leonard de Selva. All rights reserved 2022
Media ID 25158154
© Leonard de Selva. All rights reserved 2022 / Bridgeman Images
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EDITORS COMMENTS
The captivating print titled "Joseph Thompson and Mandaras warriors, who spit on his boots with insolence, to claim presents" transports us back in time to the late 19th century. The engraving by Y. Pranishnikoff vividly illustrates a scene from Joseph Thompson's story "Au pays des massai" published in Le Tour du monde, nouveau journal des voyages. In this powerful image, we witness an encounter between Thompson and the proud Mandaras warriors. With their heads held high and eyes filled with defiance, they boldly spit on his boots as a sign of insolence while demanding presents. Their act challenges Thompson's authority and highlights the cultural differences that exist between them. Pranishnikoff masterfully captures the tension and complexity of this moment through intricate details and expressive lines. Each warrior is depicted with meticulous attention to their traditional attire, showcasing their rich heritage and unique identity. Thompson's narrative takes us on a journey into the heartland of Massai territory where he encounters various tribes, each with its own customs and traditions. Through his storytelling prowess combined with Pranishnikoff's artistic interpretation, we are transported into a world unknown to many. This remarkable piece serves as both a historical document and an artistic masterpiece that invites viewers to reflect upon themes of cultural exchange, power dynamics, and human connection across borders. It stands as a testament to the enduring power of visual storytelling in capturing moments frozen in time for generations to come.
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