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Popery or No Popery? 1850 (engraving) (b / w photo)
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Popery or No Popery? 1850 (engraving) (b / w photo)
XJF268041 Popery or No Popery? 1850 (engraving) (b/w photo) by English School, (19th century) (after); Private Collection; English, out of copyright
Media ID 12781727
© www.bridgemanart.com
Gathering Holy Bible John Bull Mitre Roman Catholic
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EDITORS COMMENTS
This print captures the essence of satire in the 19th century. Titled "Popery or No Popery? 1850" this engraving by an English School artist depicts a scene filled with symbolism and caricature. At first glance, we see John Bull, a personification of England, standing tall and defiant. He is surrounded by various elements that represent the conflict between Protestantism and Catholicism during that time. A crown symbolizes monarchy while a church signifies religious institutions. The Holy Bible stands prominently as a testament to faith. The central figure in this satirical artwork is none other than the Pope himself, adorned with his distinctive mitre hat. The presence of the Holy Inquisition adds another layer of critique towards Roman Catholic practices. Through clever visual storytelling, this cartoon-like image challenges societal norms and questions authority within religion. It serves as both entertainment and commentary on power dynamics during that era. Preserved in a private collection today, this historic piece reminds us of art's ability to convey complex ideas through humor and wit. As we observe "Popery or No Popery? 1850" we are transported back to a time when artists used their craft to shed light on important social issues – even if it meant poking fun at those in power.
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