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For Some We Loved, The Loveliest And The Best That From His Vintage Rolling Time Has Prest, Have Drunk Their Cup A Round Or Two Before, And One By One Crept Silently To Rest. Illustration By Edmund Dulac From The Rubaiyat Of Omar Khayyam, Published 1909

For Some We Loved, The Loveliest And The Best That From His Vintage Rolling Time Has Prest, Have Drunk Their Cup A Round Or Two Before, And One By One Crept Silently To Rest. Illustration By Edmund Dulac From The Rubaiyat Of Omar Khayyam, Published 1909


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For Some We Loved, The Loveliest And The Best That From His Vintage Rolling Time Has Prest, Have Drunk Their Cup A Round Or Two Before, And One By One Crept Silently To Rest. Illustration By Edmund Dulac From The Rubaiyat Of Omar Khayyam, Published 1909

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Media ID 18177322

© Hilary Jane Morgan / Design Pics

Creeping Dulac Edmund Figure Khayyam Mysterious Omar Persia Persian Poem Poems Poetry Quatrain Rubaiyat Twenty 22nd


EDITORS COMMENTS
This print transports us to a world of poetic beauty and contemplation. The illustration, created by the talented Edmund Dulac for the 1909 edition of "The Rubaiyat of Omar Khayyam" captures the essence of Persian mysticism and melancholy. In this enchanting scene, we are drawn into a realm where time seems to stand still. A mysterious figure stands amidst rolling vines, symbolizing life's vintage that has flowed through generations. As we gaze upon this evocative image, we can almost hear the whispers of ancient poetry echoing in our ears. The colors chosen by Dulac add depth and richness to the composition. Shades of color bring out both warmth and darkness simultaneously, mirroring the complexities found within Khayyam's verses. As we delve deeper into this artwork, we are reminded that life is transient; it flows like wine from a cup passed down through time. The loveliest and best among us have already savored their share before silently retreating into eternal rest. Hilary Jane Morgan skillfully presents this mesmerizing piece as an invitation to explore not only Persian culture but also universal themes such as love, loss, and mortality. Through her lens, she invites us to reflect on our own journeys while appreciating the timeless wisdom encapsulated in these poignant quatrains. This print serves as a testament to art's ability to transcend time and space—allowing us glimpses into worlds long gone yet forever imprinted on our

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Earth Could Not Answer: Nor The Seas That Mourn In Flowing Purple, Of Their Lord Forlorn; Nor Heaven, With Those Eternal Signs Reveal And Hidden By The Sleeve Of Night And Morn. Illustration By Edmund Dulac From The Rubaiyat Of Omar Khayyam, Published 1909
Earth Could Not Answer: Nor The Seas That Mourn In Flowing Purple, Of Their Lord Forlorn; Nor Heaven, With Those Eternal Signs Reveal And Hidden By The Sleeve Of Night And Morn. Illustration By Edmund Dulac From The Rubaiyat Of Omar Khayyam, Published 1909
And Ever With The Tears Falling Down From Her Eyes She Sighed And Sang. Illustration By Edmund Dulac For The Story Of The Magic Horse. From The Arabian Nights, Published 1938
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Many A Winters Night She Flies Through The Streets And Peeps In At The Windows, And Then The Ice Freezes On The Panes Into Wonderful Patterns Like Flowers. Illustration By Edmund Dulac For The Snow Queen. From Stories From Hans Andersen, Published 1938
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"it Is Gold, It Is Gold!"They Cried. Illustration By Edmund Dulac For The Snow Queen. From Stories From Hans Andersen, Published 1938
"it Is Gold, It Is Gold!"They Cried. Illustration By Edmund Dulac For The Snow Queen. From Stories From Hans Andersen, Published 1938
Among These Trees Lived A Nightingale, Which Sang So Deliciously That Even The Poor Fisherman, Who Had Planty Of Other Things To Do, Lay Still To Listen To It, When He Was Out At Night Drawing In His Nets. Illustration By Edmund Dulac For The Nightingale. From Stories From Hans Andersen, Published 1938
Among These Trees Lived A Nightingale, Which Sang So Deliciously That Even The Poor Fisherman, Who Had Planty Of Other Things To Do, Lay Still To Listen To It, When He Was Out At Night Drawing In His Nets. Illustration By Edmund Dulac For The Nightingale. From Stories From Hans Andersen, Published 1938
Then It Again Burst Into Its Sweet Heavenly Song. "That Is The Most Delightful Coquetting I Have Ever Seen!"Said The Ladies And They Took Some Water Into Their Mouths To Try And Make The Same Gurgling Thinking So To Equal The Nightingale. Illustration By Edmund Dulac For The Nightingale. From Stories From Hans Andersen, Published 1938
Then It Again Burst Into Its Sweet Heavenly Song. "That Is The Most Delightful Coquetting I Have Ever Seen!"Said The Ladies And They Took Some Water Into Their Mouths To Try And Make The Same Gurgling Thinking So To Equal The Nightingale. Illustration By Edmund Dulac For The Nightingale. From Stories From Hans Andersen, Published 1938
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