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Canvas Print : anr1960 bw neg 115
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Canvas Prints From STUDIOCANAL
anr1960 bw neg 115
STUDIOCANAL Film and Theatre Film Posters and Stills
Media ID 19953416
© Studiocanal Films Ltd
20"x16" (51x41cm) Canvas Print
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Animals
> Fishes
> G
> Grouper
VISUAL DESCRIPTION
A black and white photograph capturing a moment of everyday life from a bygone era. The scene is set in an industrial or workplace yard, with the focus on a solitary figure riding a bicycle towards the camera. Behind the cyclist stands a small, utilitarian building with a pitched roof that appears to be either an office or guard shack. To the right of this structure, there's an older model car parked next to what seems like another bicycle propped against the wall. In the background, we can see two groups of people gathered under some sort of canopy attached to another building; they might be workers taking a break or waiting for instructions. The architecture suggests this could be mid-20th century based on the style of vehicles and clothing visible in the image. The surrounding environment includes terraced houses typical of urban areas during that period, all featuring chimneys which hint at coal fires within—commonplace before central heating became widespread. A tall pole rises above these buildings, possibly used for communications or power lines. Overall, this snapshot provides insight into working-class life and industry from an earlier time when bicycles were as much tools for commuting as cars were symbols of status and utility structures dotted landscapes shaped by human labor rather than technology.
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