Canvas Print : The Sack of Aerschot, 1914
Canvas Prints From Mary Evans Picture Library
The Sack of Aerschot, 1914
An illustration of the alleged stabling of horses by German troops in the church at Aerschot, Belgium, during the German occupation of the town, early in the First World War. Date: 1914
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14146338
© Illustrated London News Ltd/Mary Evans
Germans Matania Occupation Sack Vandalism Stabling
20"x16" (51x41cm) Canvas Print
Bring history to life with the Media Storehouse Canvas Prints featuring 'The Sack of Aerschot, 1914' by Rights Managed from Mary Evans Prints Online. Witness this poignant moment from the First World War, as German troops are said to have stabled horses in the church at Aerschot, Belgium. Our high-quality canvas prints are meticulously crafted to bring out the intricate details of this powerful illustration, making it a stunning addition to any home or office. Relive history with this captivating piece of art.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
The Sack of Aerschot, 1914: A Haunting Illustration of German Troops' Vandalism during the Early Stages of World War I This evocative image, titled "The Sack of Aerschot, 1914," depicts a chilling scene of German soldiers allegedly stabling horses in the hallowed halls of a Belgian church during the early stages of the First World War. The town of Aerschot, located in central Belgium, was one of the first targets of the invading German forces in August 1914. The illustration, created by renowned artist Howard Pyle's assistant, Frank W. Matania, captures the essence of the brutal occupation that followed. The soldiers, with their stern expressions and determined postures, seem to have little regard for the sanctity of the church or the peaceful community it once served. The horses, their coats glistening with sweat and fear, are harnessed and arranged in the nave, their hooves trampling on the sacred ground. The image is a poignant reminder of the devastating impact of war on civilian populations and their places of worship. The violation of the church, a symbol of hope and unity, served as a powerful symbol of the German forces' disregard for Belgian sovereignty and the horrors of the impending conflict. As the First World War raged on, stories of German atrocities, including the infamous Rape of Belgium, fueled the Allied war effort and galvanized public support. This haunting illustration, with its vivid depiction of the desecration of the church at Aerschot, stands as a testament to the dark chapter in history that was the First World War.
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