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Canvas Print : HOGARTH RAKE PLATE 2
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HOGARTH RAKE PLATE 2
The Rakes Progress 2. Hogarths Rake surrounded by flattering artists and professors. Date: 1735
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 20146853
© Bubblepunk
1735 Fencing Flattering Harpsichord Hogarth Hogarths Jockey List Professors Progress Rake Rakes Surrounded Trophy Artists
20"x16" (51x41cm) Canvas Print
Introduce a touch of historical charm to your home decor with Media Storehouse's Canvas Prints featuring Hogarth Rake Plate 2 from Mary Evans Prints Online. This captivating artwork, created by the renowned English painter William Hogarth in 1735, showcases the infamous rake, Tom Rakewell, surrounded by flattering artists and professors. Our high-quality canvas prints bring the intricate details and rich colors of this iconic masterpiece to life, making it an excellent addition to any room in your home. Experience the allure of 18th-century artistry with Media Storehouse's Canvas Prints.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Hogarth's Rake Progress 2: The Rake Surrounded by Flattering Artists and Professors, created by the renowned British artist William Hogarth in 1735, presents a captivating scene of moral decay and the corrupting influence of vice. In this print, the rake, Tom Rakewell, has reached a new low in his debauched lifestyle, surrounded by sycophantic artists and professors who fawn over him, oblivious to his moral decline. The print depicts Tom seated at a harpsichord, a symbol of his wasted talents, as he is serenaded by a group of artists and professors. One artist holds up a sketch of Tom, while another plays a fiddle, and a third admires a trophy on the wall, a jockey's list, a reference to Tom's earlier obsession with horse racing. The room is filled with the trappings of luxury and decadence, with fine furnishings, expensive artwork, and exotic animals on display. Despite the admiration of those around him, Tom's fate is sealed. The viewer is left to ponder the consequences of his actions and the empty praise of those who enable his vices. Hogarth's masterful use of symbolism and social commentary make this print a fascinating glimpse into 18th-century British society and the dangers of moral decay. This print is a testament to Hogarth's ability to capture the essence of human nature and the consequences of vice. It is a powerful reminder of the importance of self-control and the dangers of being swayed by flattery and false praise. The Rake's Progress is a series of six prints that chronicles the downfall of Tom Rakewell, and this print marks a pivotal moment in his descent into ruin.
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