Canvas Print : Mazarin on Deathbed
Canvas Prints from Mary Evans Picture Library
Mazarin on Deathbed
The last sickness of Cardinal Mazarin Date: 1661
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14098401
© Mary Evans Picture Library
1661 Cardinal Deathbed Mazarin Sickness
30"x20" (76x51cm) Canvas Print
"Bring the intrigue and history of the past into your home with our exquisite Canvas Prints from Media Storehouse. This stunning offering showcases the iconic image of "Mazarin on Deathbed" by Rights Managed from Mary Evans Prints Online. Captured in 1661, this powerful and evocative artwork depicts Cardinal Mazarin in his final moments. The rich colors and textures of the canvas print bring out the intricate details of the artwork, making it a captivating addition to any room. Experience the allure of history with our high-quality Canvas Prints."
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
Mazarin on Deathbed: A Moment in the History of Power and Politics (The Last Sickness of Cardinal Mazarin, 1661) This evocative image captures the final moments of Cardinal Jules Mazarin, the powerful and influential chief minister of France during the reign of Louis XIV, as he lies on his deathbed. The scene, depicted in this 17th-century engraving, unfolds in the opulent surroundings of the Cardinal's apartment in the Palais Royal in Paris. Mazarin, dressed in his cardinal's robes, lies weak and pale, his eyes closed as if in a deep slumber. His trusted advisors and courtiers gather around him, their faces etched with concern and sadness. Among them is the young Louis XIV, who stands at the foot of the bed, his hand resting on the Cardinal's, a symbol of the passing of power from one generation to the next. The year was 1661, and Mazarin, who had been in poor health for some time, was nearing the end of his life. His tenure as chief minister had been marked by his political acumen, diplomatic skills, and his ability to navigate the complex web of European politics. But his legacy was not without controversy, and his death was met with both relief and sorrow. The engraving, produced shortly after Mazarin's death, serves as a poignant reminder of the transience of power and the inevitability of death. It also offers a glimpse into the grandeur and intrigue of the French court during the Ancien Régime, a time of opulence, intrigue, and political maneuvering. As we gaze upon this image, we are transported back in time, witnessing a pivotal moment in French and European history. The scene invites us to reflect on the human condition, the fragility of power, and the enduring legacy of those who have shaped the course of history.
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