Canvas Print : Mary Queen of Scots and Chatelar (or Rizzio)
Canvas Prints from Mary Evans Picture Library
Mary Queen of Scots and Chatelar (or Rizzio)
Mary Queen of Scots and Chatelar (or Chatelard), her secretary. Some versions of the picture give David Rizzio as the secretary.
16th century
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14400457
© Mary Evans Picture Library
Curtain Instrument Scots Secretary Musical Rizzio
20"x16" (51x41cm) Canvas Print
Bring the captivating history of Mary Queen of Scots into your home with our exquisite Canvas Prints from Media Storehouse. This stunning image, titled "Mary Queen of Scots and Chatelar (or Rizzio)" from Mary Evans Picture Library, showcases Mary in the midst of a deep conversation with her secretary, Chatelar or Rizzio, in the 16th century. The rich colors and intricate details of this historic portrait are beautifully rendered on our high-quality canvas material, creating a museum-quality piece that will surely make a statement in any room. Immerse yourself in the past and add a touch of royal elegance to your décor with our Canvas Prints.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative 16th century image captures a moment of reprieve for Mary, Queen of Scots, as she enjoys the company of her secretary, Chatelar or Chatelard, in the intimate setting of her private chambers. Mary, dressed in rich, royal attire, sits at the center, her regal bearing evident as she focuses intently on the musical instrument before her. The man identified as Chatelar, with his quill pen in hand, looks up from his writing, a smile playing on his lips as he appreciates the melodic strains wafting through the room. The room itself is a testament to the opulence of the Scottish court, with heavy velvet curtains framing the scene and casting a warm, inviting glow over the queen and her secretary. The presence of the musical instrument, a lute or a similar stringed instrument, suggests a moment of relaxation and enjoyment, a brief respite from the political intrigue and power struggles that would ultimately lead to Mary's downfall. The identity of Chatelar or Chatelard remains a subject of debate among historians. Some believe him to be David Rizzio, an Italian musician and secretary who was a favorite of Mary's and who was tragically murdered in her presence in 1566. Others believe him to be a different man entirely, a mere servant or courtier. Regardless of his identity, this image offers a glimpse into the personal side of Mary, Queen of Scots, a woman who ruled a kingdom and navigated the treacherous waters of 16th century European politics.
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