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Canvas Print : Cartoon, Bank Notes, Paper Money, French Alarmists

Cartoon, Bank Notes, Paper Money, French Alarmists



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Cartoon, Bank Notes, Paper Money, French Alarmists

Cartoon, Bank Notes, Paper Money, French Alarmists, o the Devil, the Devil! ah! poor John Bull!!! by James Gillray. Showing the Prime Minister, William Pitt, offering paper money (rather than gold coins, which are stashed under the counter) to John Bull. On either side of Bull are opposition politicians Richard Sheridan and Charles James Fox, advising him to insist on gold rather than paper. Date: 1797

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14230227

© The Sharp Illustration Collection / Mary Evans Picture Library

1790s 1797 Advice Advising Bank Bull Bumpkin Cash Coins Comment Counter Criticism Deception Devil Finance Financial Gillray Harsh Innocent Minister Money Naive Notes Offering Opposition Pitt Politicians Poor Prime Satire Satirical Sheridan


20"x16" (51x41cm) Canvas Print

Introducing the captivating and historically significant "Cartoon, Bank Notes, Paper Money, French Alarmists" canvas print from Media Storehouse. This exquisite piece, created by the renowned British satirist James Gillray, depicts a powerful and thought-provoking cartoon from the Mary Evans Prints Online archive. In this remarkable artwork, Gillray masterfully captures the political climate of the time with his characteristic wit and insight. The cartoon, titled "To the Devil, the Devil! ah! poor John Bull!!!", vividly illustrates the French alarmists and their perceived threats to Britain, with a focus on the Prime Minister, William Pitt. The intricate details of the bank notes and paper money add an extra layer of depth and historical authenticity. Bring this captivating piece of art history into your home or office with our premium canvas prints. Each print is expertly crafted using high-quality materials and vibrant, fade-resistant inks, ensuring a stunning and long-lasting display. Add a touch of historical charm and intellectual intrigue to your space with Media Storehouse's "Cartoon, Bank Notes, Paper Money, French Alarmists" canvas print.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


EDITORS COMMENTS
This satirical print by James Gillray, titled 'Cartoon, Bank Notes, Paper Money, French Alarmists, or, the Devil, the Devil! ah! poor John Bull!!!!' dates back to 1797, during the tumultuous 1790s in British politics. The image depicts a worried-looking John Bull, the symbol of the common man in England, being offered paper money by the Prime Minister, William Pitt, instead of gold coins. Pitt's actions are contrasted with the gold coins hidden under the counter, highlighting the deception and potential financial instability of relying on paper currency. On either side of John Bull, opposition politicians Richard Sheridan and Charles James Fox are shown advising him to demand gold instead. The image is a harsh criticism of Pitt's financial policies, particularly during a time when France was experiencing hyperinflation and Britain was facing its own economic challenges. The cartoon's title, 'French Alarmists,' suggests a connection to the ongoing tensions between Britain and France, as well as the fear of French-style financial instability spreading to Britain. The image of the devil lurking in the background adds a sinister element, emphasizing the potential consequences of accepting paper money over gold. Overall, this print is a powerful commentary on the political and financial climate of the time, using satire and visual imagery to convey complex ideas and criticisms. It is a valuable historical artifact that sheds light on the public discourse and concerns of the late 18th century.

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