Canvas Print : Anabaptists Allegory
Canvas Prints from Mary Evans Picture Library
Anabaptists Allegory
Allegorical depiction of the loathsome heresy of the anabaptists being assailed by divine thunderbolts. Date: published 1702
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7227793
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10191455
1702 Allegorical Allegory Anabaptists Assailed Depiction Divine Heresy Sects Thunderbolts
20"x16" (51x41cm) Canvas Print
"Bring history to life with our exquisite Media Storehouse Canvas Prints, featuring the engravings "Anabaptists Allegory" by Rights Managed from Mary Evans Prints Online. This captivating print, published in 1702, offers a vivid allegorical depiction of the Anabaptist heresy being confronted by divine thunderbolts. Each Canvas Print is meticulously crafted with premium materials, ensuring vibrant colors and stunning detail that will elevate the look of any room. Add a touch of history and intrigue to your home decor with this remarkable piece."
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This powerful and evocative print, published in 1702, depicts an allegorical representation of the Anabaptist heresy being assailed by divine thunderbolts. The Anabaptists were a radical Protestant sect that emerged in Europe during the 16th century, known for their belief in adult baptism and the separation of church and state. This belief system was considered loathsome by many in the established religious and political order, and was frequently subjected to harsh persecution. In this print, the Anabaptist figure, depicted as a man with a long beard and wearing simple clothing, is shown being attacked by bolts of lightning from the heavens. The caption at the bottom of the image reads "Divina Vindicta" or "Divine Vengeance," emphasizing the notion that the Anabaptists were being punished by God for their heretical beliefs. The print serves as a stark reminder of the religious and political tensions of the time, and the fierce opposition to religious dissent. The use of allegory in this print is significant, as it allowed the artist to convey complex ideas and messages in a visually compelling way. The image of the Anabaptist being struck by thunderbolts was a common motif in anti-Anabaptist propaganda, and served to reinforce the idea that the sect was not only heretical, but also deserving of divine punishment. The print also reflects the broader cultural and historical context of the time, with its emphasis on religious orthodoxy and the use of visual imagery to convey complex ideas.
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