Canvas Print : Honi Soi Qui Mal Y Pense Caricature Shop G Humphrey

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Canvas Prints From Liszt Collection

Honi Soi Qui Mal Y Pense Caricature Shop G Humphrey

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14075855

© Copyrighted

1800 1828 1818 1821 Crowd Displayed George Hand Colored Etching Humphrey Isleworth Ca James King Satires Street Theodore Lane Window Critical George Humphrey Honi Inherited Pense Queen Caroline

30"x20" (76x51cm) Canvas Print

Introducing the captivating Honi Soit Qui Mal Y Pense Canvas Print from Artokoloro's Liszt Collection. This vibrant and humorous caricature by G. Humphrey is brought to life with Media Storehouse's premium canvas printing technology. Each print is meticulously crafted to showcase the intricate details and rich colors of the original artwork. Add a touch of whimsy and wit to your home decor with this timeless piece, sure to spark conversation and delight all who enter your space.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 76.2cm x 50.8cm (30" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

EDITORS COMMENTS
This print titled "Honi Soi Qui Mal Y Pense Caricature Shop" takes us back to the bustling streets of London on August 12,1821. The hand-colored etching captures a vivid scene outside George Humphrey's renowned caricature shop located at 27 St James Street. In this lively image, we see a crowd of boisterous Londoners gathered around the shop window, eagerly inspecting the latest satirical prints by Theodore Lane. These witty and critical illustrations primarily focus on Queen Caroline, the estranged wife of recently crowned King George IV. The bow-fronted shop window proudly displays an array of Lane's humorous creations, drawing attention from passersby with their clever commentary on political affairs and social scandals. It is worth noting that George Humphrey inherited this successful business from his aunt Hannah in 1818. The photograph beautifully showcases the vibrant atmosphere of early 19th-century London as people engage in animated discussions about these popular prints. The Artokoloro print perfectly captures both the historical significance and artistic mastery behind these satires. As we delve into this snapshot frozen in time, we are transported to an era where art served as a powerful medium for societal critique and entertainment. This remarkable piece allows us to appreciate not only Lane's talent but also the cultural impact that such caricatures had during that period in British history.

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