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Canvas Print : An Unpleasant Neighbour, 1859

An Unpleasant Neighbour, 1859



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An Unpleasant Neighbour, 1859

An Unpleasant Neighbour, 1859. Mr Bull, Here have I got to pay double insurance, all along of your confounded fireworks!. John Bull presenting a bill to Napoleon III for the 9d in the pound income tax. With John Bull being depicted as an inn keeper, this illustrates the type of worker in Britain who would be most affected by such a steep rise. Napoleon, meanwhile, smirks as he places a sandwich board outside his own neighbouring shop. In July 1859, the Chancellor, Mr Gladstone, proposed to raise taxes from 5d to 9d in the pound on all incomes over £ 150 pa to cover the deficiency mainly caused by military and naval expenditure. The increased expenditure on armaments was supposedly in order to protect Britain against possible invasion by Napoleon III. From Punch, or the London Charivari, July 30, 1859

Heritage Images features heritage image collections

Media ID 14829293

© The Print Collector / Heritage-Images

Bonaparte Charles Louis Napoléon Charles Louis Napoleon Bonaparte Emperor Napoleon Iii Fireworks Heritage Image Partnership Income Tax Innkeeper John Bull Louis Napoleon Napoleon Bonaparte Iii Napoleon Iii Sandwich Board Shop Front Shop Window Shopkeeper Stomach Taxation Allegorical Figure Smirk


20"x16" (51x41cm) Canvas Print

Bring a touch of historical charm to your home with the Media Storehouse Canvas Prints. This captivating piece, titled "An Unpleasant Neighbour, 1859," showcases an iconic image from Heritage Images. John Bull, with a stern expression, presents a bill to Napoleon III for the additional income tax caused by his fireworks. This timeless image is expertly printed on high-quality canvas, ensuring vibrant colors and stunning detail. Elevate your living space with this intriguing piece of history, available in our exclusive range of Media Storehouse Canvas Prints.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Nesomyidae > Fat Mouse

> Arts > Artists > W > Charles White

> Arts > Artists > W > John White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > France > Military

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Royalty

> Popular Themes > Politics


EDITORS COMMENTS
This 19th-century engraving titled "An Unpleasant Neighbour, 1859" captures the political tensions between Britain and France during that time. Depicting John Bull as an innkeeper, it highlights how the proposed increase in income tax would disproportionately affect working-class individuals like him. In the image, Mr Bull presents a bill to Napoleon III for the additional tax burden caused by his extravagant fireworks display. Napoleon III, portrayed with a smirk on his face, nonchalantly places a sandwich board outside his neighboring shop. This juxtaposition emphasizes the contrasting attitudes of the two leaders towards taxation and their respective countries' financial situations. The context behind this cartoon lies in Chancellor Gladstone's proposal to raise taxes to cover military and naval expenses incurred due to fears of invasion by Napoleon III's forces. The print from Punch magazine reflects public sentiment regarding these increased expenditures and their impact on ordinary citizens. Through satire and caricature, this illustration serves as both social commentary and political critique. It sheds light on issues such as taxation, national defense priorities, and class disparities prevalent during that era. As a historical artifact captured in black-and-white monochrome style, this print offers valuable insight into 19th-century British society while showcasing the artistic techniques employed at that time.

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