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Canvas Print : Turning the Tables, 1887. Artist: Joseph Swain

Turning the Tables, 1887. Artist: Joseph Swain



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Turning the Tables, 1887. Artist: Joseph Swain

Turning the Tables, 1887. The Lord Chancellor yawns as he queries why the House of Commons is not getting on with its business. If this goes on, he warns, then it will have to be the Commons that will be abolished. Mr Speaker is on the left with all the Bills for the coming session under his arm. This cartoon accompanies a poem of the same name that says that the practice of debating the opening address to Parliament takes up valuable time that could be spent debating the issues important to the country. So far, a whole week had gone by with no business started. There was an ongoing debate by a number of MPs to remodel the Upper House to allow for the introduction of a substantial number of life peers. From Punch, or the London Charivari, February 19, 1887

Heritage Images features heritage image collections

Media ID 14831999

© The Print Collector / Heritage-Images

Government Gown Heritage Image Partnership House Of Commons Houses Of Parliament John Tenniel Joseph Swain Judge Legislation Lord Chancellor Member Of Parliament Palace Of Westminster Parliament Sir John Tenniel Swain Tenniel City Of Westminster


20"x16" (51x41cm) Canvas Print

Experience the timeless charm of "Turning the Tables, 1887" by John Tenniel and Joseph Swain, now available as a stunning Canvas Print from Media Storehouse. This iconic image, originally from Heritage Images, captures the moment the Lord Chancellor is met with unexpected persistence from the House of Commons, as depicted in this satirical work by Tenniel and Swain. Each Canvas Print is meticulously crafted with premium materials and vibrant colors, bringing the intricate details of this classic artwork to life. Elevate your home or office decor with this beautiful piece of art history.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > T > John Tenniel

> Arts > Artists > W > John White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Boroughs > City of Westminster

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Sights > Palace of Westminster

> Europe > United Kingdom > England > Palaces

> Europe > United Kingdom > England > Politics


Turning the Tables, 1887

EDITORS COMMENTS
is a captivating print that offers a satirical glimpse into the political landscape of late 19th century England. Created by artists Joseph Swain and John Tenniel for Punch, or the London Charivari, this cartoon captures the frustration and impatience felt by many regarding parliamentary proceedings. In this scene, we see the Lord Chancellor yawning in exasperation as he questions why the House of Commons is not focusing on its important business. With bills for the upcoming session tucked under his arm, Mr Speaker stands beside him. The accompanying poem suggests that debating the opening address to Parliament has consumed valuable time that could have been spent discussing crucial national issues. At this time, there was an ongoing debate among MPs about reforming the Upper House to allow for more life peers. This proposed change aimed to introduce fresh perspectives into legislative discussions. However, with a whole week passing without any significant progress made on pressing matters, concerns arose about wasted time and inefficiency within government processes. The black-and-white engraving depicts iconic buildings such as Westminster Palace in London's city center—a symbol of power and governance. Through clever caricature and satire, Swain highlights how excessive debates can hinder progress while emphasizing the need for efficient decision-making in politics. This print serves as both a historical artifact and a reminder that even centuries ago, people were concerned about bureaucracy slowing down essential work—an issue still relevant today.

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