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Canvas Print : Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton

Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton



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Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton

Shepherds, I have lost my waist! Have you seen my body? Sacrificed to modern taste, I m quite a hoddy doddy!, 1795. A satire on the unflattering fashions of the day. A hoddy doddy meant all arse and no body; a short clumsy person. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Heritage Images features heritage image collections

Media ID 14917013

© The Print Collector / Heritage-Images

Bottom Emily Morse Emily Morse Symonds Fashion Victim Feather Feathers George Paston Newton Ostrich Feather Ostrich Feathers Paston Richard Symonds Taste Waist Waistline Arse Dumpy Metaphor


20"x16" (51x41cm) Canvas Print

Introducing the Media Storehouse Canvas Print of "Shepherds, I have lost my waist! Have you seen my body?" by Richard Newton. This satirical masterpiece, created in 1795, offers a humorous commentary on the unflattering fashions of the time. Featuring the iconic image of a shepherd lamenting the loss of his waistline, this canvas print is a must-have for any art lover or history buff. Printed on high-quality canvas and coated with a protective varnish, this piece is sure to bring a touch of timeless wit and charm to your home or office. Heritage Images' rich and detailed image captures the essence of this classic work, making it a stunning addition to any collection. Order your Media Storehouse Canvas Print today and join the conversation started by Richard Newton over 200 years ago!

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Ostriches > Related Images

> Arts > Artists > N > Richard Newton

> Arts > Artists > S > George Shepherd

> Arts > Artists > S > Richard Short

> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Modern art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Modern art pieces

> Europe > United Kingdom > England > London > Fashion


EDITORS COMMENTS
In this satirical print by Richard Newton, titled "Shepherds, I have lost my waist! Have you seen my body?" we are transported back to the year 1795. The artist humorously criticizes the unflattering fashions of the time with a clever play on words and imagery. The central figure, a female dressed in an extravagant gown adorned with feathers, laments her disappearing waistline. She is depicted as a "hoddy doddy" meaning someone who is all arse and no body – short and clumsy. This metaphorical representation highlights the absurdity of sacrificing one's natural shape for the sake of modern taste. Newton's illustration serves as a commentary on fashion victims during that era, emphasizing how women were subjected to societal pressures to conform to unrealistic standards. The exaggerated headdress and ostentatious dress further emphasize this point. Despite being created over two centuries ago, this print remains relevant today as it reminds us of society's obsession with appearance and its impact on individuals' self-perception. It also showcases how satire can be used effectively to critique prevailing trends. This black-and-white image was included in "Social Caricature in the Eighteenth Century" by George Paston (pseudonym of Emily Morse Symonds) published in London in 1905. Its inclusion among over two hundred illustrations demonstrates its historical significance within the realm of social commentary through artistry.

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