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Canvas Print : Shaitanskii factory, ceasing operations in 1905, Shaitanski Zavod, 1912. Creator: Sergey Mikhaylovich Prokudin-Gorsky
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Shaitanskii factory, ceasing operations in 1905, Shaitanski Zavod, 1912. Creator: Sergey Mikhaylovich Prokudin-Gorsky
Shaitanskii factory, ceasing operations in 1905, Shaitanski Zavod, 1912
Heritage Images features heritage image collections
Media ID 38074898
© Heritage Art/Heritage Images
Colour Separation Negative Disrepair Prokudin Gorsky Sergei Prokudin Gorsky Sergey Prokudin Gorsky Sergey Mikhaylovich Russian Empire Sergei Mikhailovich Prokudin Gorsky Sergei Prokudin Gorsky Sergey Mikhaylovich Prokudin Gorsky Sergey Prokudin Gorsky Urals Meeting Of Frontiers
20"x16" (51x41cm) Canvas Print
Step back in time with this stunning canvas print capturing the historic Shaitanskii factory, ceasing operations in 1905. A captivating piece by Sergey Mikhaylovich Prokudin-Gorsky from Heritage Images that will add a touch of vintage charm to any space.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print by Sergey Mikhaylovich Prokudin-Gorsky captures the haunting beauty of the Shaitanskii factory, which ceased operations in 1905. The image, taken in 1912, showcases the industrial landscape of Russia during the early 20th century.
The Shaitanskii factory stands as a testament to a bygone era, with its crumbling exterior and disrepair hinting at its once bustling past. The fields surrounding the factory add to the desolate atmosphere, painting a picture of abandonment and decay.
Prokudin-Gorsky's use of color separation negative photography brings out the rich history and heritage of this location. The vivid colors highlight the intricate details of the ruins, making them come alive despite their ruined state.
As we gaze upon this image, we are transported back in time to an industrial age long gone. The meeting of frontiers between nature and industry is evident in this photograph, showcasing both man-made structures and natural landscapes coexisting side by side.
Through Prokudin-Gorsky's lens, we are able to appreciate the beauty in decay and find poetry in ruin. This photograph serves as a reminder of our ever-changing world and how even once thriving factories can eventually fade into obscurity.
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