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Canvas Print : The Real Barbarian from China, 1861

The Real Barbarian from China, 1861



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The Real Barbarian from China, 1861

The Real Barbarian from China, 1861. A sullen Chinese man, representing China, presents Britannia with cash, presumably to settle all or part of the commitment China was forced to agree to after the Convention of Tientsin, in the hope that it would then be indemnified against further action. The Convention of Tientsin between Britain, France and China had provided for the sum of 3, 000 taels to be paid to all those who had suffered at the hands of the Chinese during the recent war. This war had occurred as Britain and France had felt that China had reneged on the terms of the Treaty of Tientsin, which gave the two countries certain commercial concessions. China had shown signs to wanting to renege on the terms of the Convention and had been threatened with further military action. From Punch, or the London Charivari, January 5, 1861

Heritage Images features heritage image collections

Media ID 14829349

© The Print Collector / Heritage-Images

Britannia Heritage Image Partnership Money Shield Sullen Treaty Allegorical Figure Treaty Of Tientsin


20"x16" (51x41cm) Canvas Print

Introducing the captivating 'The Real Barbarian from China, 1861' Canvas Print from Media Storehouse. This intriguing image, sourced from Heritage Images, depicts a pensive Chinese man, symbolizing China, offering Britannia a pile of cash. This historic moment, captured in 1861, represents China's payment to settle commitments following forced agreements. Elevate your home or office decor with this thought-provoking and culturally rich canvas print. Experience the story in every detail with our high-quality canvas material and vibrant color reproduction. Add this stunning piece to your collection today and start a conversation.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > France > Military

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > England > London > Related Images

> Popular Themes > Money

> Popular Themes > Politics


The Real Barbarian from China, 1861

EDITORS COMMENTS
is a thought-provoking print that captures the political tensions between China and Britain in the 19th century. In this black and white caricature, we see a sullen Chinese man representing China, kneeling before Britannia, symbolizing the power dynamics at play during that time. The image portrays an allegorical figure of Britannia holding a shield while the Chinese man presents her with cash. This gesture suggests that China hopes to settle its commitments after the Convention of Tientsin and seeks indemnification against further action. The convention had been signed by Britain, France, and China to address grievances related to commercial concessions. This satirical engraving reflects how Britain viewed China as reneging on their agreements. It highlights the financial aspect of these negotiations through the depiction of money being exchanged. The tension between both countries is palpable as military action looms in response to perceived breaches. Created by an unknown artist for Punch magazine in January 1861, this print offers insight into historical events and attitudes towards imperialism during this period. It serves as a reminder of past conflicts but also raises questions about power dynamics and cultural perceptions that continue to shape international relations today. As part of Heritage Image Partnership's collection, this print provides valuable historical context for scholars and enthusiasts alike who seek to understand the complexities behind diplomatic interactions between nations in the 19th century.

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