Canvas Print > Renaissance art
Canvas Print : Medallion, probably Margaret of Lorraine (recto); the Virgin Seated on a Throne... c
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Medallion, probably Margaret of Lorraine (recto); the Virgin Seated on a Throne... c
Medallion, probably Margaret of Lorraine (recto); the Virgin Seated on a Throne Before Two Widows (verso), Limoges, c. 1530-c. 1540
Heritage Images features heritage image collections
Media ID 24172501
© Heritage Art/Heritage Images
Bassetaille Copper Devotion Devotional Enamel Enamelled L And Xe9 Limoges Medallion Painted Prayer Applied Arts Applied Arts Of Europe Craftsmanship Léonard Limosin
30"x20" (76x51cm) Canvas Print
Bring timeless beauty into your home with our exquisite Canvas Prints from Media Storehouse. This stunning piece features "Medallion, probably Margaret of Lorraine (recto); the Virgin Seated on a Throne" by Leonard Limosin, a masterpiece from the Limoges school in France, circa 1530-1540. The intricate details of the medieval artwork are expertly captured in high-quality canvas, creating a captivating and elegant addition to any room. The reverse side of the print showcases "The Virgin Seated on a Throne Before Two Widows," adding an extra layer of historical interest. Elevate your decor with this magnificent work of art and transport yourself back in time.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable medallion, believed to depict Margaret of Lorraine on the front and the Virgin seated on a throne before two widows on the back. Created in Limoges between 1530 and 1540, this exquisite piece exemplifies the exceptional craftsmanship of the European applied arts during the Renaissance era. The delicate blue bassetaille enamel, meticulously painted onto copper, brings forth an aura of devotion and spirituality. The medallion's design is a testament to Leonard Limosin's artistic genius, as he masterfully captures both religious symbolism and historical significance within this small yet impactful artwork. As we gaze upon this artifact from centuries past, we are transported to a time when faith played an integral role in people's lives. The serene expression on Margaret of Lorraine's face reflects her deep devotion to Christianity while simultaneously highlighting her regal stature. On the reverse side, the Virgin Mary sits gracefully amidst two grieving widows, offering solace and hope through prayer. This photograph allows us to appreciate not only its aesthetic beauty but also its cultural value as it represents France's rich heritage art. It serves as a reminder that art has always been intertwined with religion and history – conveying emotions, beliefs, and stories across continents and generations. Displayed at the Art Institute of Chicago gallery, this stunning medallion invites viewers into an immersive experience where they can marvel at its intricate details up close. Leonard Limosin’s masterpiece continues to inspire awe even after all these years
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