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Canvas Print : Ebisu flirting with a courtesan, no. 3 from a series of 12 prints, c. 1708
Canvas Prints From Heritage Images
Ebisu flirting with a courtesan, no. 3 from a series of 12 prints, c. 1708
Heritage Images features heritage image collections
Media ID 24375128
© Heritage Art/Heritage Images
Aquatic Life Carp Courtesan Feeling Fish Fishes Genpachi Groping Harassment Masanobu Okumura Oban Sumizuri E Okumura Masanobu Okumura Shinmyo Samisen Sexual Harassment Shamisen
20"x16" (51x41cm) Canvas Print
Experience the allure of Japanese art with our exquisite Canvas Print of 'Ebisu Flirting with a Courtesan, No. 3' by Okumura Masanobu. Part of a series of twelve prints created in 1708, this captivating artwork showcases the playful interaction between the god of fishermen, Ebisu, and a courtesan. Add an air of sophistication and mystery to your home or office with this stunning, museum-quality Canvas Print from Heritage Images. Each print is meticulously produced using premium materials and vibrant colors, ensuring a long-lasting and beautiful addition to your collection.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 40.6cm (20" x 16")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print, titled "Ebisu flirting with a courtesan, no. 3 from a series of 12 prints, c. 1708" takes us back to the vibrant world of Edo period Japan. Created by renowned artist Okumura Masanobu, this woodblock print is an exquisite example of ukiyo-e art. The scene depicts Ebisu, one of the Seven Lucky Gods in Japanese folklore, engaging in playful flirtation with a courtesan. The delicate gestures and expressions captured in this artwork convey a sense of intrigue and romance that was prevalent during the Tokugawa period. Masanobu's attention to detail is evident as he skillfully portrays the flowing robes and intricate hairstyles characteristic of the era. The use of sumizuri-e technique adds depth and texture to the composition while maintaining its monochromatic beauty. The presence of musical instruments such as shamisen (samisen) further enhances the atmosphere, suggesting that music played an integral role in these encounters between men and women. While it is important to acknowledge that some elements depicted here may be seen as sexual harassment by today's standards, it is crucial to view this artwork within its historical context rather than imposing modern interpretations on it. As we admire this remarkable piece at the Art Institute Chicago or any other art center fortunate enough to house it, we are transported back in time to experience both the artistic mastery of Masanobu and gain insight into life during eighteenth
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