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Canvas Print : Well, I Hardly Know Which To Take First! American cartoon comment, c1900, on Uncle Sams seemingly insatiable imperialist appetite, as President William McKinley, at right, waits to take the order

Well, I Hardly Know Which To Take First! American cartoon comment, c1900, on Uncle Sams seemingly insatiable imperialist appetite, as President William McKinley, at right, waits to take the order



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Well, I Hardly Know Which To Take First! American cartoon comment, c1900, on Uncle Sams seemingly insatiable imperialist appetite, as President William McKinley, at right, waits to take the order

IMPERIALISM CARTOON, c1900.
Well, I Hardly Know Which To Take First! American cartoon comment, c1900, on Uncle Sams seemingly insatiable imperialist appetite, as President William McKinley, at right, waits to take the order

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7784693

1900 Anti Colonialism Apron Chair Colonialism Cuba Hawaii Latin America Mckinley Menu Napkin Personification Philippine Philippines Politics Polynesia Polynesian Puerto Rico Republican Restaurant Satire Table Cloth Uncle Sam Waiter Waiting Will I Am


20"x16" (51x41cm) Canvas Print

Add a thought-provoking conversation starter to your home décor with our Canvas Print of "Well, I Hardly Know Which To Take First!", an iconic American cartoon from the early 1900s. This captivating image, sourced from Granger Art on Demand, brilliantly satirizes the imperialist appetite of Uncle Sam as President McKinley looks on, waiting for his next order. Our high-quality Canvas Prints are made to order, ensuring a perfect fit for your space, and deliver rich colors and impressive detail. Bring a piece of historical art and thoughtful commentary into your home with this unique and intriguing addition to your collection.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > P > Polynesian Polynesian

> Asia > Philippines > Maps

> Asia > Philippines > Related Images

> Maps and Charts > Americas

> Maps and Charts > Early Maps

> Maps and Charts > Related Images

> North America > Cuba > Maps

> North America > Cuba > Related Images

> North America > Puerto Rico > Maps

> North America > Puerto Rico > Related Images

> Granger Art on Demand > American Presidents

> Granger Art on Demand > Uncle Sam


EDITORS COMMENTS
The cartoon print titled "Well, I Hardly Know Which To Take First!" is a satirical commentary on Uncle Sam's insatiable imperialist appetite during the early 1900s. The image depicts President William McKinley seated at a table, waiting to take Uncle Sam's order as he contemplates which territory to conquer next. The cartoon cleverly personifies America as Uncle Sam, portrayed with an apron and napkin, symbolizing his readiness to devour new lands. Surrounding him are various menu options representing countries like Hawaii, Philippines, Cuba, Puerto Rico, and Latin America that were targets of American colonialism during this period. The artist uses humor and irony to criticize the Republican administration's expansionist policies by highlighting the voraciousness of American imperialism. The map on the tablecloth further emphasizes America's ambition for global dominance. This political satire reflects the anti-colonial sentiment prevalent at that time and raises questions about the ethical implications of American intervention in foreign territories. It serves as a reminder of how power dynamics can shape international relations and provoke debates about national identity and responsibility. Overall, this thought-provoking artwork captures a pivotal moment in history when America was grappling with its role as an emerging world power while also shedding light on the consequences of unchecked imperialism.

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