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Canvas Print : High caste Brahmin man in India, 1828
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High caste Brahmin man in India, 1828
3480349 High caste Brahmin man in India, 1828; (add.info.: French lithograph of high caste Brahmin man in India, By Marlet 1828.); Universal History Archive/UIG
Media ID 38321280
© Universal History Archive/UIG / Bridgeman Images
1820s Brahmin British Raj High Caste Indian History Marlet Lithos Litography
30"x20" (76x51cm) Canvas Print
Transport yourself to 1828 India with this stunning canvas print of a high caste Brahmin man. Captured in exquisite detail by Bridgeman Images, this piece from Fine Art Finder is sure to add a touch of cultural elegance to any room.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking lithograph captures the essence of a high caste Brahmin man in India during the early 19th century. The intricate details and regal demeanor of the subject showcase the pride and prestige associated with his social status.
The man's traditional attire, adorned with elaborate jewelry and symbols of his caste, reflects centuries-old customs and traditions that have defined Indian society for generations. His expression exudes confidence and authority, embodying the privileged position he holds within his community.
Created by French artist Marlet in 1828, this image provides a glimpse into a time when India was under British colonial rule, known as the British Raj. The fusion of European lithography techniques with Indian subject matter highlights the cultural exchange that took place during this period.
As we gaze upon this historical artifact, we are reminded of the complex layers of identity and power dynamics at play in colonial India. The juxtaposition of Eastern mystique with Western artistic sensibilities invites us to contemplate how different cultures perceive one another through art.
Through this portrait, we are transported back in time to witness a moment frozen in history – a high caste Brahmin man standing proud amidst a changing world.
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