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Robert Seymour Canvas Print Collection

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32 Canvas Prints

Background imageRobert Seymour Canvas Print Collection: German Christmas card (colour litho)

German Christmas card (colour litho)
731762 German Christmas card (colour litho) by German School, (20th century); Private Collection; (add.info.: German Christmas card)

Background imageRobert Seymour Canvas Print Collection: Phrenologist amazed by head of patient

Phrenologist amazed by head of patient
864846 Phrenologist amazed by head of patient by Seymour, Robert (1798-1836); (add.info.: Most miraculous organ. Phrenology)

Background imageRobert Seymour Canvas Print Collection: Running to Cover with the Bore Family in Full Cry, c. 1830 (hand-coloured engraving)

Running to Cover with the Bore Family in Full Cry, c. 1830 (hand-coloured engraving)
740532 Running to Cover with the Bore Family in Full Cry, c.1830 (hand-coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageRobert Seymour Canvas Print Collection: Night and Morning (coloured etching)

Night and Morning (coloured etching)
STC188361 Night and Morning (coloured etching) by Seymour, Robert (1798-1836); Private Collection; (add.info.: Shortshanks was Seymours shortlived pseudonym)

Background imageRobert Seymour Canvas Print Collection: Corn Laws were introduced in 1815 to protect the British farmer from foreign competition

Corn Laws were introduced in 1815 to protect the British farmer from foreign competition, 19th century (lithograph)
527846 Corn Laws were introduced in 1815 to protect the British farmer from foreign competition, 19th century (lithograph) by Seymour

Background imageRobert Seymour Canvas Print Collection: Pair of earrings, late 4th century B. C (gold, filigree)

Pair of earrings, late 4th century B. C (gold, filigree)
1070574 Pair of earrings, late 4th century B.C (gold, filigree) by Greek school, (4th century BC); 6.1 cm; Dallas Museum of Art, Texas

Background imageRobert Seymour Canvas Print Collection: Illustration for the Pickwick Papers

Illustration for the Pickwick Papers
LLM461625 Illustration for the Pickwick Papers by Seymour, Robert (1798-1836); Private Collection; (add.info.: Illustration for the Pickwick Papers by Charles Dickens (Caxton Publishing)

Background imageRobert Seymour Canvas Print Collection: Leah and Rachel

Leah and Rachel
LLM454664 Leah and Rachel by Portaels, Jean Francois (1818-95); Private Collection; (add.info.: Leah and Rachel. Illustration from Woman in Sacred HIstory by Harriet Beecher Stowe (Sampson Low)

Background imageRobert Seymour Canvas Print Collection: Enough to Make an Angel Swear, or, Real Birds Plucking the Sham, c

Enough to Make an Angel Swear, or, Real Birds Plucking the Sham, c
740524 Enough to Make an Angel Swear, or, Real Birds Plucking the Sham, c.1830s (hand-coloured engraving) by Seymour, Robert (1798-1836); Private Collection; (add.info)

Background imageRobert Seymour Canvas Print Collection: Characteristics - England, Ireland and Scotland, engraved by George Hunt (colour litho)

Characteristics - England, Ireland and Scotland, engraved by George Hunt (colour litho)
STC188382 Characteristics - England, Ireland and Scotland, engraved by George Hunt (colour litho) by English School, (19th century); Private Collection; The Stapleton Collection; English

Background imageRobert Seymour Canvas Print Collection: Locomotion - Walking by Steam, Riding by Steam, Flying by Steam

Locomotion - Walking by Steam, Riding by Steam, Flying by Steam
STC188381 Locomotion - Walking by Steam, Riding by Steam, Flying by Steam, published by Thomas McLean, London (coloured etching) by Seymour

Background imageRobert Seymour Canvas Print Collection: Barefoot, Winner of the St Leger, engraved by Thomas Sutherland (1785-1838)

Barefoot, Winner of the St Leger, engraved by Thomas Sutherland (1785-1838)
BSA266476 Barefoot, Winner of the St Leger, engraved by Thomas Sutherland (1785-1838), 1823 (colour litho) by Herring Snr

Background imageRobert Seymour Canvas Print Collection: Waltonising or Green-Land Fisherman, c. 1830 (coloured engraving)

Waltonising or Green-Land Fisherman, c. 1830 (coloured engraving)
BSA266473 Waltonising or Green-Land Fisherman, c.1830 (coloured engraving) by Seymour, Robert (1798-1836); 45x54.5 cm; Private Collection; (add.info)

Background imageRobert Seymour Canvas Print Collection: Titlepage for The Posthumous Papers of the Pickwick Club by Charles Dickens

Titlepage for The Posthumous Papers of the Pickwick Club by Charles Dickens
XJF425684 Titlepage for The Posthumous Papers of the Pickwick Club by Charles Dickens, 1st edition, 1836 (engraving) by Seymour, Robert (1798-1836); Private Collection; British, out of copyright

Background imageRobert Seymour Canvas Print Collection: Thomas Noon Talfourd (etching)

Thomas Noon Talfourd (etching)
2563265 Thomas Noon Talfourd (etching) by English School, (19th century); 22x15 cm; Free Library of Philadelphia; (add.info.: Sir Thomas Noon Talfourd (26 May 1795 - 13 March 1854), English judge

Background imageRobert Seymour Canvas Print Collection: Golden Water (Princess Parisade) c. 1858 (w / c on paper)

Golden Water (Princess Parisade) c. 1858 (w / c on paper)
1202918 Golden Water (Princess Parisade) c.1858 (w/c on paper) by Rossetti, Dante Gabriel Charles (1828-82); 36.5x18.7 cm; Fitzwilliam Museum, University of Cambridge

Background imageRobert Seymour Canvas Print Collection: Lord Byron attended by his Suliote Guards, from The Last Days of Lord Byron by William

Lord Byron attended by his Suliote Guards, from The Last Days of Lord Byron by William
1202332 Lord Byron attended by his Suliote Guards, from The Last Days of Lord Byron by William Parry, pub. 1825 (hand coloured engraving) by Seymour

Background imageRobert Seymour Canvas Print Collection: Military tournament at the Agricultural Hall (engraving)

Military tournament at the Agricultural Hall (engraving)
605507 Military tournament at the Agricultural Hall (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageRobert Seymour Canvas Print Collection: Bill Stickers Accident (engraving)

Bill Stickers Accident (engraving)
605501 Bill Stickers Accident (engraving) by Seymour, Robert (1798-1836); Private Collection; (add.info.: Oh dear, Sir, it vos the vind! To think it should be pasted, too)

Background imageRobert Seymour Canvas Print Collection: A Thoroughbred November & London Particular, engraved by George Hunt

A Thoroughbred November & London Particular, engraved by George Hunt
STC188383 A Thoroughbred November & London Particular, engraved by George Hunt, published by Thomas McLean, London, 1827 (colour litho) by English School

Background imageRobert Seymour Canvas Print Collection: Grand New Method of Writing Music, Recommended to all Amateur Composers

Grand New Method of Writing Music, Recommended to all Amateur Composers
STC188372 Grand New Method of Writing Music, Recommended to all Amateur Composers, published by Thomas McLean, London, 1828 (coloured etching) by Seymour

Background imageRobert Seymour Canvas Print Collection: Supporting each man on the top of the tide, from The Hunting of the Snark

Supporting each man on the top of the tide, from The Hunting of the Snark
1202324 Supporting each man on the top of the tide, from The Hunting of the Snark, an Agony in Eight Fits, by Lewis Carroll, pub

Background imageRobert Seymour Canvas Print Collection: Lord Byron on his Death Bed, from The Last Days of Lord Byron by William Parry, pub

Lord Byron on his Death Bed, from The Last Days of Lord Byron by William Parry, pub
1202323 Lord Byron on his Death Bed, from The Last Days of Lord Byron by William Parry, pub. 1825 (hand coloured engraving) by Seymour

Background imageRobert Seymour Canvas Print Collection: Lord Byrons House at Missolonghi, from The Last Days of Lord Byron by William Parry

Lord Byrons House at Missolonghi, from The Last Days of Lord Byron by William Parry
1202322 Lord Byrons House at Missolonghi, from The Last Days of Lord Byron by William Parry, pub. 1825 (hand coloured engraving) by Seymour

Background imageRobert Seymour Canvas Print Collection: The Prices - Full Price, Half Price, High Price and Low Price, engraved by George Hunt

The Prices - Full Price, Half Price, High Price and Low Price, engraved by George Hunt
STC188390 The Prices - Full Price, Half Price, High Price and Low Price, engraved by George Hunt, published by Thomas McLean, 1827 (colour litho) by English School

Background imageRobert Seymour Canvas Print Collection: View of Logan Rock, near the Land's End, 1824 (hand coloured litho on paper)

View of Logan Rock, near the Land's End, 1824 (hand coloured litho on paper)
7483142 View of Logan Rock, near the Land's End, 1824 (hand coloured litho on paper) by Tonkin, James (1757-1846); 27x40 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Background imageRobert Seymour Canvas Print Collection: March of Intellect. Mechanical, 1829 (hand coloured etching on paper)

March of Intellect. Mechanical, 1829 (hand coloured etching on paper)
7483082 March of Intellect. Mechanical, 1829 (hand coloured etching on paper) by Seymour, Robert (1798-1836); 25x35 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Background imageRobert Seymour Canvas Print Collection: Menai Bridge, 1828 (litho on paper)

Menai Bridge, 1828 (litho on paper)
7483119 Menai Bridge, 1828 (litho on paper) by Pickering, George (c.1794-1857); 25x34 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Background imageRobert Seymour Canvas Print Collection: Going It By Steam, 1829 (hand coloured etching on paper)

Going It By Steam, 1829 (hand coloured etching on paper)
7483096 Going It By Steam, 1829 (hand coloured etching on paper) by Seymour, Robert (1798-1836); 22x33 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire

Background imageRobert Seymour Canvas Print Collection: Mr. Winkle and Mr. Pickwick trying to control their horse, illustration from The

Mr. Winkle and Mr. Pickwick trying to control their horse, illustration from The
XJF394276 Mr. Winkle and Mr. Pickwick trying to control their horse, illustration from The Pickwick Papers by Charles Dickens, 1836 (litho) by Seymour


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We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
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For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
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Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site