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Canvas Print : Print from the series A True Mirror of Chinese and Japanese Poems (Shiika shashinkyo
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Print from the series A True Mirror of Chinese and Japanese Poems (Shiika shashinkyo
3115016 Print from the series A True Mirror of Chinese and Japanese Poems (Shiika shashinkyo), c.1833 (colour woodblock print) by Hokusai, Katsushika (1760-1849); Private Collection; (add.info.: signed Zen Hokusai Iitsu hitsu and published by Moriya Jihei (Kinshindo), circa 1833, comprising:
1. The poet Ariwara no Narihira (Ariwara no Narihira): Peasants pounding cloth by moonlight
2. Gathering rushes (Tokusagari): An old peasant is crossing a bridge, returning home at dusk after gathering rushes
3. The Minister Toru (Toru daijin): Minamoto no Toru (822-95) is enjoying the company of two friends in his large garden
4. Li Po (Ri Haku): Supported by two young followers, the famous Chinese poet Li Po (701-62) admires the waterfall of Lo-Shan in the Chinese province of Kiang-Si
5. A Horse rider in the Snow: A Chinese man on horseback accompanied by a servant looks out over a snowy scene
6. A Youth Setting out from Home (Shonenko): A Chinese youth rides a white horse along a lake-side path, a fisherman dozing on the bank ahead, while farther up the road a second horseman appears to be waiting for the young man to catch up
7. Sei Shonagon Meng Zi, fearful for his life, trying to open the gate of Hunguguan to get to safety; a scene from an historical episode from Chinese history which the poetess Sei Shonagon alluded to in a poem
8. Abe no Nakamaro: The nobleman Abe no Nakamaro (698-770) is seated on the terrace of a Chinese palace, gazing at the moon whilst attendants arrive with some food
9. Bo Juyi (Hakurakuten): Based on the Noh play Hakurakuten, a scene of a poetry competition between a Chinese poet Bo Juyi and Sumiyoshi, disguised as a fisherman
10. Harumichi no Tsuraki: The poet Harumichi no Tsuraki dressed in court nobles attire and accompanied by two attendants, crosses a bridge over a gushing river in a mountainous landscape
Each nagaban); Photo eChristies Images; Japanese, out of copyright
Media ID 22693674
© Christie's Images / Bridgeman Images
A True Mirror Printmaking Series Shiika Shashinkyo Poems
21"x7" (53x18cm) Canvas Print
Experience the timeless beauty of East Asian poetry brought to life through the exquisite art of Hokusai. Our Media Storehouse Canvas Prints present a stunning selection from his renowned series, "A True Mirror of Chinese and Japanese Poems" (Shiika shashinkyo). Each print, inspired by traditional woodblock techniques, captures the essence of Hokusai's mastery, inviting you to reflect on the profound wisdom of these ancient verses. Elevate your home or office décor with this captivating fusion of art and literature.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 17.8cm x 53.3cm (7" x 21")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print from the series "A True Mirror of Chinese and Japanese Poems" by Hokusai takes us on a journey through time and culture. Created around 1833, this exquisite colour woodblock print showcases ten distinct scenes, each depicting a different moment in Chinese and Japanese history. From peasants pounding cloth under the moonlight to an old peasant crossing a bridge after gathering rushes at dusk, these prints beautifully capture everyday life in ancient China and Japan. We are also transported to grand gardens where Minister Toru enjoys the company of friends, and witness Li Po, a famous Chinese poet, admiring the majestic waterfall of Lo-Shan. The series continues with evocative images such as a horse rider overlooking a snowy landscape and a young man setting out on his journey accompanied by dozing fishermen. The historical episode featuring Sei Shonagon Meng Zi trying to open the gate of Hunguguan for safety is depicted with great intensity. We are then introduced to Abe no Nakamaro gazing at the moon from his terrace while attendants bring him food. A poetry competition between Bo Juyi and Sumiyoshi disguised as a fisherman unfolds before our eyes based on an intriguing Noh play called Hakurakuten. Finally, we encounter Harumichi no Tsuraki dressed in court nobles attire crossing a bridge over rushing waters in a breathtaking mountainous landscape. These prints not only showcase Hokusai's mastery of woodblock printing but also offer glimpses into rich cultural traditions that have shaped both China and Japan throughout history.
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