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Canvas Print : Cover of Les Hommes du Jour': Malato Charles, 1909 (engraving)

Cover of Les Hommes du Jour': Malato Charles, 1909 (engraving)



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Cover of Les Hommes du Jour': Malato Charles, 1909 (engraving)

ICA4932796 Cover of Les Hommes du Jour': Malato Charles, 1909 (engraving); (add.info.: Cover of " Les Hommes du jour", Satirique en N & B, 1909_1_2: Malato Charles (1857-1938)); Photo © Caricadoc

Media ID 38159014

© © Caricadoc / Bridgeman Images

Anarchic Anarchism Anarchist Anarchy Franc Masonry Journalist A Journal Caricadoc The Author


20"x16" (51x41cm) Canvas Print

Bring a touch of vintage charm to your space with our Canvas Print featuring the satirical cover of 'Les Hommes du Jour': Malato Charles, 1909. This unique engraving by Bridgeman Images is sure to add character and style to any room in your home.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This print showcases the cover of 'Les Hommes du Jour' featuring a satirical engraving of Malato Charles from 1909. The artist behind this striking piece, Malato Charles (1857-1938), was not only an anarchist but also a prominent writer and journalist in France during the early twentieth century. The intricate details in this engraving capture the essence of anarchism and rebellion, reflecting the tumultuous political climate of that era. Through his work, Malato Charles challenged societal norms and advocated for change through his writings and activism. The portrait exudes a sense of defiance and determination, embodying the spirit of anarchy that was prevalent in Europe at the time. The use of caricature adds depth to the image, highlighting both the human side of Charles as well as his larger-than-life persona within French masonry circles. As we gaze upon this historical artifact from over a century ago, we are reminded of the power that art has to provoke thought and inspire action. This engraving serves as a testament to Malato Charles' legacy as a fearless advocate for social justice and freedom of expression.

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