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Canvas Print : The Members leaving the Dooma (colour litho)
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The Members leaving the Dooma (colour litho)
725058 The Members leaving the Dooma (colour litho) by Haenen, Frederic de (1853-1928); Private Collection; (add.info.: The Members leaving the Dooma. Illustration for St Petersburg (A&C Black, 1910).); © Look and Learn
Media ID 23483408
© Look and Learn / Bridgeman Images
Leaving Leningrad Members Petersburg Petrograd Saint Petersburg St Petersburg
20"x16" (51x41cm) Canvas Print
Bring the timeless beauty of Frederic de Haenen's 'The Members leaving the Dooma' into your home with our Media Storehouse Canvas Prints. This exquisite colour lithograph, originally published by Bridgeman Images from Fine Art Finder, showcases Haenen's masterful use of colour and texture. The Members leaving the Dooma is a captivating piece that adds an air of sophistication and charm to any decor. Our high-quality canvas prints are meticulously crafted to ensure vibrant colours and sharp details, making your art investment a long-lasting and cherished addition to your living space.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 40.6cm x 50.8cm (16" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Members leaving the Dooma
EDITORS COMMENTS
is a captivating colour lithograph by Frederic de Haenen that captures a significant moment in Russian history. The artwork, now part of a private collection, depicts an illustration for the book "St Petersburg" published in 1910. In this vibrant print, we witness a group of individuals departing from the iconic Dooma building in St Petersburg (formerly known as Petrograd and Leningrad). The scene exudes an air of anticipation and intrigue as these members make their way through the bustling streets of Asia's cultural hub. Haenen's attention to detail brings life to each character portrayed. Amongst them are Russians and Asians alike, symbolizing the diverse population residing within this cosmopolitan city. Their attire reflects both traditional Russian garments and Asian influences, showcasing the fusion of cultures present at that time. The artist skillfully captures not only the physical surroundings but also conveys a sense of historical significance. As viewers, we can't help but wonder about their destination and purpose. Are they political figures? Intellectuals? Or perhaps ordinary citizens embarking on an adventure? This remarkable lithograph serves as a window into early 20th-century Russia, offering us glimpses into its rich tapestry of culture and society. It reminds us that cities like St Petersburg have always been melting pots where different worlds collide, creating something truly unique. Through "The Members leaving the Dooma". Haenen invites us to explore this era while igniting our curiosity about what lies beyond
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