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Canvas Print : Market in a Disused Church in France, 1928 (oil on canvas)

Market in a Disused Church in France, 1928 (oil on canvas)



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Market in a Disused Church in France, 1928 (oil on canvas)

2831163 Market in a Disused Church in France, 1928 (oil on canvas) by Fry, Roger Eliot (1866-1934); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Captain S. Hibbard through the National Art-Collections Fund (now The Art Fund), 1931; English, out of copyright

Media ID 22990592

© Bristol Museums, Galleries & Archives Given by Captain S. Hibbard through the National Art-Collections Fund (now The Art Fund), 1931 / Bridgeman Images

Abandoned Bloomsbury Bloomsbury Group Bloomsbury Set Buying Derelict Disused Rustic Selling Stall Stalls Daily Life Scene Ecclesiastical Social History


20"x16" (51x41cm) Canvas Print

Breathe new life into your space with the Media Storehouse Canvas Print of "Market in a Disused Church in France, 1928" by Roger Eliot Fry. This exquisite oil on canvas painting, originally housed at the Bristol Museum and Art Gallery in the UK, transports you to a quaint European market set against the backdrop of a disused church. The rich colors and textures of the artwork are beautifully captured in our high-quality canvas prints, making it a stunning addition to any home or office. Bring a piece of history and timeless beauty into your living space with this captivating work of art.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 40.6cm (20" x 16")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Artists > F > Roger Eliot Fry

> Arts > Artists > F > Roger Fry

> Arts > Still life artwork > Oil paintings

> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Oil paintings

> Europe > France > Paintings

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Roger Eliot Fry

> Fine Art Finder > Industry,work,markets & Shops


Market in a Disused Church - A Glimpse into the Eccentricity of French Daily Life, 1928

EDITORS COMMENTS
. This print transports us back to the enchanting year of 1928, capturing an extraordinary scene within a disused church in France. Painted by Roger Eliot Fry, a prominent member of the influential Bloomsbury Group, this oil on canvas masterpiece offers a unique perspective on both religious and secular aspects of life. The image showcases an abandoned medieval church transformed into a bustling marketplace. Vibrant stalls adorned with colorful blooms and rustic goods fill the once-sacred space, creating an intriguing juxtaposition between spirituality and commerce. Figures from all walks of life can be seen engaging in lively transactions - buying and selling produce amidst Gothic arches that have witnessed centuries of devotion. Fry's brushstrokes expertly capture the essence of this forgotten place; its derelict beauty intertwined with vibrant daily activities. The painting serves as a poignant reminder that even sacred spaces can evolve over time to meet changing societal needs. Now housed at Bristol Museum and Art Gallery in the UK, this remarkable artwork was generously donated by Captain S. Hibbard through The Art Fund in 1931. Through this evocative piece, we are transported to another era where art meets history, inviting us to reflect upon our own relationship with tradition and transformation.

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