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Canvas Print : Madonna with Infant Jesus, St. Elisabeth, Infant St. John and two angels, copy from Andrea Del Sarto (oil on panel)

Madonna with Infant Jesus, St. Elisabeth, Infant St. John and two angels, copy from Andrea Del Sarto (oil on panel)



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Madonna with Infant Jesus, St. Elisabeth, Infant St. John and two angels, copy from Andrea Del Sarto (oil on panel)

2384576 Madonna with Infant Jesus, St. Elisabeth, Infant St. John and two angels, copy from Andrea Del Sarto (oil on panel) by Italian School, (16th century); Galleria e Museo Estense, Modena, Italy; (add.info.: Modena, Galleria Estense: " Madonna con Bambino, Sant Elisabetta, San Giovannino e due angeli", di anonimo, prima meta del secolo XVI, copia da Andrea del Sarto. Olio su tavola.
Modena, Galleria Estense: " Madonna with Infant Jesus, St. Elisabeth, Infant St. John and two angels", by anonymous artist, first half of the XVI century, copy from Andrea Del Sarto. Oil Panel Painting.); Ghigo Roli; Italian, out of copyright

Media ID 25145604

© Ghigo Roli / Bridgeman Images

Andrea Del Sarto Tempera


20"x16" (51x41cm) Canvas Print

Bring the timeless beauty of Renaissance art into your home with our Canvas Prints featuring "Madonna with Infant Jesus, St. Elisabeth, Infant St. John and two angels," a captivating copy from Andrea Del Sarto's original oil on panel painting. This exquisite work of art, hailing from the Italian School of the 16th century and currently housed in the Galleria e Museo Estense in Modena, Italy, showcases the tender moment between the Virgin Mary, St. Elisabeth, the infant St. John, and two cherubic angels. Our high-quality Canvas Prints faithfully reproduce the intricate details and rich colors of the original, making it a stunning addition to any room in your home. Experience the mastery of Andrea Del Sarto and the beauty of the Renaissance with our Canvas Prints.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Phyllostomidae > Angeli

> Arts > Artists > I > Italian School Italian School

> Arts > Artists > S > Andrea del Sarto

> Europe > Italy > Emilia-Romagna > Modena

> Europe > Italy > Paintings


EDITORS COMMENTS
This print showcases a stunning copy of Andrea Del Sarto's masterpiece, "Madonna with Infant Jesus, St. Elisabeth, Infant St. John and two angels". Painted by an anonymous artist in the first half of the 16th century, this oil on panel painting is currently housed in the Galleria e Museo Estense in Modena, Italy. The composition depicts the Virgin Mary tenderly cradling baby Jesus while standing beside St. Elisabeth and infant St. John. Two cherubic angels hover above them, adding an ethereal touch to the scene. The delicate brushwork and vibrant colors bring life to each figure, evoking a sense of divine beauty. This work exemplifies the timeless theme of motherhood and devotion within Christianity. The Madonna's serene expression exudes love and compassion as she gazes down at her beloved child. The presence of St. Elisabeth and infant St. John symbolizes familial bonds and spiritual interconnectedness. The masterful technique employed by both Andrea Del Sarto in his original work and the anonymous artist who created this copy demonstrates their skillful command over oil painting as a medium. Through this print from Fine Art Finder, viewers can appreciate not only the artistry behind this remarkable piece but also its historical significance within Italian Renaissance art. It serves as a testament to the enduring power of religious iconography throughout centuries.

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