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Canvas Print : Study for Death the Bride, 1894 (oil on canvas)

Study for Death the Bride, 1894 (oil on canvas)



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Study for Death the Bride, 1894 (oil on canvas)

5913339 Study for Death the Bride, 1894 (oil on canvas) by Gotch, Thomas Cooper (1854-1931); 39x29 cm; Alfred East Gallery, Kettering Borough Council; eAlfred East Gallery, Kettering; English, out of copyright

Media ID 23261598

© Alfred East Gallery, Kettering / Bridgeman Images

Bride Ethereal Garland Ghostly Macabre Poppies Poppy Sacrement Sinister Sombre Spooky Symbolist Mortality Unsettling


20"x16" (51x41cm) Canvas Print

Bring the haunting beauty of Thomas Cooper Gotch's Study for Death the Bride into your home with our Media Storehouse Canvas Prints. This captivating oil on canvas painting, originally housed at the Alfred East Gallery in Kettering, showcases Gotch's masterful use of color and light in depicting the enigmatic figure of Death as a bride. Elevate your space with this timeless work of art, expertly reproduced on high-quality canvas for a vibrant and stunning finish.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 40.6cm x 50.8cm (16" x 20")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Alfred > Related Images

> Arts > Artists > E > Alfred East

> Arts > Fine Art

> Arts > Still life artwork > Oil paintings

> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Oil paintings


EDITORS COMMENTS
This hauntingly captivating print showcases Thomas Cooper Gotch's "Study for Death the Bride" from 1894. Painted in oil on canvas, this piece measures 39x29 cm and is currently housed at the Alfred East Gallery, Kettering Borough Council. The image depicts a woman, presumably a bride, surrounded by an ethereal atmosphere of ghostly poppies. The symbolism within this painting is both unsettling and thought-provoking. The crown of garlands adorning her head hints at love and life, while simultaneously alluding to death's presence. Gotch's use of somber colors creates a macabre ambiance that lingers in the viewer's mind long after they have looked away. This symbolist masterpiece explores themes of mortality and marriage with an eerie twist, leaving us pondering the deeper meaning behind these concepts. As we gaze upon this mesmerizing artwork, we are reminded of the fragile nature of existence and how it intertwines with our most cherished moments. It serves as a reminder that even amidst joyous celebrations like weddings, there is always an underlying sense of transience. With its mysterious allure and sinister undertones, "Study for Death the Bride" invites us to delve into our own contemplations about life's fleeting beauty and inevitable end.

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