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War and conflict in art Collection

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Background imageWar and conflict in art Collection: 'War scene of terror', drawing by Goya, in the Prado Museum in Madrid

"War scene of terror", drawing by Goya, in the Prado Museum in Madrid Spain Madrid, Prado Museum Drawing Romanticism, Nineteenth century, 19th century, Europe

Background imageWar and conflict in art Collection: Burial and Silence, drawing from the series, 'Disasters of War' by Francisco Goya

Burial and Silence, drawing from the series, "Disasters of War" by Francisco Goya. Prado Museum, Madrid. Spain Madrid, Prado Museum Drawing Romanticism, Nineteenth century, 19th century

Background imageWar and conflict in art Collection: Allegory of the Villa of Madrid, 1810, by Francisco de Goya

Allegory of the Villa of Madrid, 1810, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Allegory of the Villa of Madrid, 1810. History Museum. Madrid. Spain

Background imageWar and conflict in art Collection: Saint Ambrose, c. 1796-1799. Creator: Francisco de Goya (Spanish, 1746-1828)

Saint Ambrose, c. 1796-1799. Creator: Francisco de Goya (Spanish, 1746-1828)
Saint Ambrose, c. 1796-1799. This work belongs to a series depicting Ambrose, Jerome, Augustine, and Gregory, key figures of early Catholicism

Background imageWar and conflict in art Collection: Ravages of War, drawing by Goya, in the Prado Museum in Madrid

Ravages of War, drawing by Goya, in the Prado Museum in Madrid Spain Madrid, Prado Museum Drawing Romanticism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Background imageWar and conflict in art Collection: 'War scene of terror', drawing by Goya, in the Prado Museum in Madrid

"War scene of terror", drawing by Goya, in the Prado Museum in Madrid Spain Madrid, Prado Museum Drawing Romanticism, Nineteenth century, 19th century, Europe

Background imageWar and conflict in art Collection: Allegory: War or Evil. The Death and an owl

Allegory: War or Evil. The Death and an owl
GOYA Y LUCIENTES, Francisco de (1746-1828). Allegory: War or Evil. The Death and an owl. Drawing

Background imageWar and conflict in art Collection: Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)

Destres of the war: Vaines complaints (preparatory drawing, 1810-1820)
LRI4606740 Destres of the war: Vaines complaints (preparatory drawing, 1810-1820) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageWar and conflict in art Collection: Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving)

Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving)
XOS5866434 Bullfights: The Death of Pepe Illo (3rd Composition), 1816, printed 1876 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.2x34.7 cm; Cleveland Museum of Art, OH, USA

Background imageWar and conflict in art Collection: Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching)

Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching)
IND82102 Riddle of fear, plate 2 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.5x35.7 cm; Private Collection; Index Fototeca

Background imageWar and conflict in art Collection: The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration)

The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration)
2920870 The Second of May, 1808 or The Charge of the Mamelukes, 1814 (oil on canvas) (post-restoration) by Goya y Lucientes, Francisco Jose de (1746-1828); 266x345 cm; Prado, Madrid

Background imageWar and conflict in art Collection: The Courageous Randon fighting a Bull (oil on canvas)

The Courageous Randon fighting a Bull (oil on canvas)
902438 The Courageous Randon fighting a Bull (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828) (after); Private Collection; (add.info.: The Brave Randon sting a bull)

Background imageWar and conflict in art Collection: The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse)

The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse), 1814 (oil on canvas)
897495 The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the man attacking the horse), 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageWar and conflict in art Collection: The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right)

The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right), 1814 (oil on canvas)
900649 The 2nd May 1808, Madrid or The Battle of the Mamelukes (detail of the lower right), 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageWar and conflict in art Collection: The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger

The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas)
XIR194741 The Second of May, 1808. The Riot against the Mameluke Mercenaries, detail of a man with a dagger, 1814 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageWar and conflict in art Collection: Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper)

Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper)
CH438388 Bajan Rinendo (They Go Down Quarreling) (brush & grey wash on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 23.4x14.3 cm; Private Collection; (add.info)

Background imageWar and conflict in art Collection: The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812)

The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812)
LRI4606089 The Colossus (also called Coloso or the Giant) (oil on canvas, 1808-1812) by Julia, Asensio (el Pescadoret) (1760-1832); Prado, Madrid

Background imageWar and conflict in art Collection: The Colossus Silhouette of a giant walking through the plains of a very dark landscape

The Colossus Silhouette of a giant walking through the plains of a very dark landscape and sowing fear, death
JLJ4667846 The Colossus Silhouette of a giant walking through the plains of a very dark landscape and sowing fear, death, misery and flight of the Spanish people

Background imageWar and conflict in art Collection: El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806

Background imageWar and conflict in art Collection: Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco Goya

Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806. Creator: Francisco Goya
Friar Pedro Shoots El Maragato as His Horse Runs Off, c. 1806

Background imageWar and conflict in art Collection: Friar Pedro Wrests the Gun from El Maragato, c. 1806. Creator: Francisco Goya

Friar Pedro Wrests the Gun from El Maragato, c. 1806. Creator: Francisco Goya
Friar Pedro Wrests the Gun from El Maragato, c. 1806

Background imageWar and conflict in art Collection: Destres of the war: 'The carnivorous vulture'

Destres of the war: "The carnivorous vulture"
LRI4606480 Destres of the war: " The carnivorous vulture" Representation of the supporters of the monarchy of Ferdinand VII of Spain as animals

Background imageWar and conflict in art Collection: El dos de Mayo (May 2) or The charge of the Mamluk (oil on canvas, 1814)

El dos de Mayo (May 2) or The charge of the Mamluk (oil on canvas, 1814)
LRI4606019 El dos de Mayo (May 2) or The charge of the Mamluk (oil on canvas, 1814) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageWar and conflict in art Collection: Truth, Time and History, 1804-08 (oil on canvas)

Truth, Time and History, 1804-08 (oil on canvas)
3937512 Truth, Time and History, 1804-08 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 294x244 cm; National Museum, Stockholm

Background imageWar and conflict in art Collection: Destres of the war: 'The carnivorous vulture'

Destres of the war: "The carnivorous vulture"
LRI4606494 Destres of the war: " The carnivorous vulture" Representation of the supporters of the monarchy of Ferdinand VII of Spain as animals

Background imageWar and conflict in art Collection: War Destres: 'This is no less'Anticlerical print on the cult of

War Destres: "This is no less"Anticlerical print on the cult of
LRI4606365 War Destres: " This is no less" Anticlerical print on the cult of holy icons. Preparation drawing in red pencil for etching by Francisco de Goya y Lucientes (1746-1828)

Background imageWar and conflict in art Collection: Portrait of Manuel Godoy, nicknamed the Prince of Peace, 1801 (oil on canvas)

Portrait of Manuel Godoy, nicknamed the Prince of Peace, 1801 (oil on canvas)
LRI4606106 Portrait of Manuel Godoy, nicknamed the Prince of Peace, 1801 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828)

Background imageWar and conflict in art Collection: Scene at a Bullfight: Spanish Entertainment, 18th century (oil on canvas)

Scene at a Bullfight: Spanish Entertainment, 18th century (oil on canvas)
AMO98727 Scene at a Bullfight: Spanish Entertainment, 18th century (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828)(follower of); 45x57 cm; Ashmolean Museum, University of Oxford

Background imageWar and conflict in art Collection: Scene at a Bullfight: The Divided Ring, 18th century (oil on canvas)

Scene at a Bullfight: The Divided Ring, 18th century (oil on canvas)
AMO98728 Scene at a Bullfight: The Divided Ring, 18th century (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 46x58 cm; Ashmolean Museum, University of Oxford

Background imageWar and conflict in art Collection: Friar Pedro Wrests the Gun from El Maragato, c. 1806 (oil on panel)

Friar Pedro Wrests the Gun from El Maragato, c. 1806 (oil on panel)
2970286 Friar Pedro Wrests the Gun from El Maragato, c.1806 (oil on panel) by Goya y Lucientes, Francisco Jose de (1746-1828); 29.2x38.5 cm; The Art Institute of Chicago, IL, USA; Mr. and Mrs

Background imageWar and conflict in art Collection: Manufacture of balls in the Sierra de Tardienda - Oil on canvas, 1810-1814

Manufacture of balls in the Sierra de Tardienda - Oil on canvas, 1810-1814
LRI4353573 Manufacture of balls in the Sierra de Tardienda - Oil on canvas, 1810-1814 by Goya y Lucientes, Francisco Jose de (1746-1828); Palacio de la Zarzuela, Madrid

Background imageWar and conflict in art Collection: Saint Ambrose, c. 1796-1799 (oil on canvas)

Saint Ambrose, c. 1796-1799 (oil on canvas)
499754 Saint Ambrose, c.1796-1799 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 148.7x225.3 (framed) 190x113 (unframed) cm; Cleveland Museum of Art, OH

Background imageWar and conflict in art Collection: 'The whims'(Los caprichos): Love and Death. Preparatory drawing 1797-1798

"The whims"(Los caprichos): Love and Death. Preparatory drawing 1797-1798
AIS5350317 " The whims" (Los caprichos): Love and Death. Preparatory drawing 1797-1798 (drawing) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageWar and conflict in art Collection: El dos de Mayo (May 2) or 'The charge of the Mamluks'

El dos de Mayo (May 2) or "The charge of the Mamluks"
JLJ4680829 El dos de Mayo (May 2) or " The charge of the Mamluks" : revolt against Joseph Bonaparte (brother of Napoleon I) in Madrid on 2/05/1808

Background imageWar and conflict in art Collection: Dream of Flogging, 1801-03 (black w / c on ivory, moderately textured laid paper with

Dream of Flogging, 1801-03 (black w / c on ivory, moderately textured laid paper with
2972603 Dream of Flogging, 1801-03 (black w/c on ivory, moderately textured laid paper with partial watermark) by Goya y Lucientes

Background imageWar and conflict in art Collection: The Pen is Mightier than the Sword, 1819-28 (black chalk on paper)

The Pen is Mightier than the Sword, 1819-28 (black chalk on paper)
3251557 The Pen is Mightier than the Sword, 1819-28 (black chalk on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.2x15.6 cm; Fitzwilliam Museum, University of Cambridge

Background imageWar and conflict in art Collection: El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814)

El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814)
LRI4606031 El dos de Mayo (May 2) or The charge of the Mamluks. Detail (oil on canvas, 1814) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageWar and conflict in art Collection: War Destres: 'This is the worst'. Representation of the supporters of

War Destres: "This is the worst". Representation of the supporters of
LRI4606453 War Destres: " This is the worst". Representation of the supporters of the monarchy of Ferdinand VII of Spain as animals

Background imageWar and conflict in art Collection: board 2 in 'Disparates'(Proverbs)

board 2 in "Disparates"(Proverbs)
AIS5380020 board 2 in " Disparates" (Proverbs) : Disparate de miedo - enigma of the death by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid

Background imageWar and conflict in art Collection: The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya

The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de Goya
The Duke of Wellington, c. 1812

Background imageWar and conflict in art Collection: Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya

Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de Goya
Charles IV of Spain as Huntsman, c. 1799/1800

Background imageWar and conflict in art Collection: Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a

Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by a
Plate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816

Background imageWar and conflict in art Collection: Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816

Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816

Background imageWar and conflict in art Collection: Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]

Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]
Plate 22 from the Tauromaquia :Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. 1816

Background imageWar and conflict in art Collection: Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816

Background imageWar and conflict in art Collection: Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears

Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816

Background imageWar and conflict in art Collection: Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse

Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse. 1816

Background imageWar and conflict in art Collection: Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls

Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816



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